幽影之声 Slate and Ash Spectres v1.1.0 [KONTAKT]

P2P | 26.7 GB

幻化听觉幻象

《幽影之声》（SPECTRES）深入先锋派非常规演奏技法的隐秘领域。在实验性录音与拼贴循环的微妙细节里，听觉幻象与频谱魅影悄然浮现，勾勒出一段兼具噪响与色彩的诡谲听觉光谱。

本音色库由实验作曲家、演奏家莉娅・贝尔图奇（Lea Bertucci）精心监制，收录了纽约顶尖实验器乐演奏家的大量独奏非常规技法采样。

除 15 位演奏家贡献的 650 余段核心乐句外，音色库还搭载全新拼贴引擎（COLLAGE engine）—— 这是一套尖端采样循环系统，可对原始采样进行深度探索与重塑，借助其生成了 500 余种经专业声音设计的音色质感、氛围音效及音调素材。

先锋音乐领军之声

《幽影之声》刻意跳脱古典音乐范式，聚焦一众杰出音乐家的独特艺术表达。

音色库收录了包括获奖长笛演奏家、音乐先锋克莱尔・蔡斯（Claire Chase），与比约克（Björk）有过合作的竖琴演奏家齐娜・帕金斯（Zeena Parkins），以及知名打击乐手萨拉・亨尼斯（Sarah Hennies）在内的多位名家演奏，为实验音乐开辟全新创作视角。

尽现频谱万象

所有录音均由传奇录音师兰德尔・邓恩（Randall Dunn）操刀，他曾与蒂姆・赫克（Tim Hecker）、太阳 O)))（Sunn O)))）及已故作曲家约翰・约翰森（Jóhann Jóhannsson）等音乐人有过深度合作。录音地点设于他位于布鲁克林的圣殿级录音棚 —— 环形废墟工作室（Circular Ruin Studio）。

13 种乐器的采样覆盖了调性、无调性及非固定音高的全维度声响。从倍低音单簧管 50 赫兹的亚谐波，到其按键开合的咔嗒与吱呀声，每一处 “不完美” 的细微质感，都通过精准的麦克风摆位被放大捕捉，成为独具个性的声音素材。

迈入新浪潮

《幽影之声》附赠由 ** 石板与灰烬（SLATE + ASH）** 团队精心打造的 500 余种声音设计预设。

这些预设灵感源自 A24、霓虹影业（Neon）等独立制片公司引领的实验电影配乐新浪潮，涵盖丰富的实验性声响 —— 持续音、氛围音、节奏音型、音调、脉冲声、演奏技法音效等。每种预设均通过拼贴引擎高度可控的操作界面进行扭曲与重新编程，带你探索前所未有的声音疆域。

共振重塑

除原始录音外，音色库还额外提供三组再放大信号通道：宏大的共振颗粒仓、失真放大器音墙，以及一对立体声复古罗兰弹簧混响。

每组通道都能赋予素材全新的音色特质，打造出极为丰富的空间感与色彩层次。这些频谱声场整合于多维混音器中，你可自由探索，挖掘全新的声音视角与变幻无穷的音色质感。

以拼贴重构创作

《幽影之声》运行于全新的拼贴引擎之上 —— 这是一个充满重迭循环与对比片段的动态声音探索平台。

引擎灵感源自具体音乐的磁带剪辑技法，它将采样片段拆解重组、放大延伸，构建出超越线性时间的重迭音序与颗粒微观拼贴。所有信号均汇入精密的混音与效果处理系统，几乎每一项参数都支持类模块化的自动化控制。

演奏技法采样明细（共 666 种）

• 中音萨克斯：35 种
• 次中音萨克斯：70 种
• 大提琴：59 种
• 单簧管：32 种
• 倍低音单簧管：42 种
• 倍低音提琴：32 种
• 长笛：60 种
• 竖琴：52 种
• 打击乐：94 种
• 长号：47 种
• 小号：33 种
• 大号：58 种
• 小提琴：52 种

预设音色明细（共 519 种）

• 抽象音效：44 种
• 动态音效：31 种
• 氛围音效：70 种
• 形态音效：52 种
• 演奏技法音效：25 种
• 律动音效：28 种
• 持续音：71 种
• 音型音效：35 种
• 幽影音效：55 种
• 质感音效：74 种
• 音调音效：34 种

运行要求：需搭载 Native Instruments Kontakt Player 或 Kontakt 完整版 v7.7.0 及以上版本！

CONJURE AURAL ILLUSIONS
SPECTRES delves into the elusive realm of radical extended techniques. Sonic illusions and spectral apparitions reveal themselves in the hidden nuances of experimental recordings and collaged loops, unveiling a haunting spectrum of noise and colour.

Curated by experimental composer and performer Lea Bertucci, SPECTRES comprises a large catalogue of solo extended techniques performed by a selection of New York’s premiere experimental instrumentalists.
Alongside over 650 core phrases from fifteen players, it delivers more than 500 specially sound-designed textures, atmospheres, and tones created in our brand new COLLAGE engine – a cutting-edge sample looping environment that allows for full exploration and reinvention of the source samples.

LEADING VOICES OF THE AVANT-GARDE
SPECTRES intentionally steps away from classical norms and leans into the unique and distinctive voices of a number of luminary musicians.
Featuring performances from the likes of award-winning flautist and musical pioneer Claire Chase, harpist and Björk collaborator Zeena Parkins, and renowned percussionist Sarah Hennies, SPECTRES finds fresh angles for experimental music.

IN FULL SPECTRAL COLOUR
Recordings were captured by cult engineer Randall Dunn – renowned for his work with the likes of Tim Hecker, Sunn O))), and the late Jóhann Jóhannsson – at his Brooklyn-based temple of recording Circular Ruin Studio.
Across the thirteen instruments are an expanse of tonal, atonal, and non-pitched sounds. From the 50 Hz subharmonic of a contrabass clarinet to the clicks and creaks of a its valves, every “imperfect” nuance is emphasised through precision microphone placement, becoming idiosyncratic sonic material in its own right.

ENTER THE NEW WAVE
SPECTRES comes bundled with a wealth of over 500 sound-designed presets expertly crafted by the SLATE + ASH team.
Drawing influence from the new wave of experimental film scoring spearheaded by independent studios such as A24 and Neon, they provide an enormous range of experimental sounds – pads, atmospheres, rhythms, tones, pulses, gestures – each warped and reprogrammed using the COLLAGE engine’s ultra-controllable interface into before-uncharted territories.

RESONANT TRANSLATIONS
Alongside the original recordings are three additional re-amplified channels: a huge resonant grain silo, a wall of distorted amplifiers, and a stereo pair of vintage Roland spring reverbs.
Each reveals new tonal character in the material – creating a huge palette of space and colour. Housed in our multi-dimensional mixer, this spectral landscape can be freely explored to envision new perspectives or ever-shifting timbres.

CREATING THROUGH COLLAGE
SPECTRES lives in our brand new COLLAGE engine – a dynamic playground for sonic exploration, full of overlapping loops and contrasting fragments.
Inspired by the tape-splicing techniques of musique concrete, the COLLAGE engine reassembles and magnifies fragments of samples, building overlapping sequences and granular micro-montages that transcend linear time. Everything feeds into a sophisticated mixer and effect environment, with modular-like automation of almost every parameter.

666 × ARTICULATIONS
35 alto saxophone
70 baritone saxophone
59 cello
32 clarinet
42 contrabass clarinet
32 contrabass
60 flute
52 harp
94 percussion
47 trombone
33 trumpet
58 tuba
52 violin

519 × PRESETS
44 abstract
31 animations
70 atmospheres
52 forms
25 gestures
28 movements
71 pads
35 patterns
55 spectres
74 textures
34 tones

Requires Native Instruments Kontakt Player or Kontakt FULL v7.7.0 or higher!