吉他设备插件Joey Sturgis Tones Toneforge Jason Richardson v1.2.3 [WiN]

SEnki | 02 February 2026 | 13.7 MB

Toneforqe® Jason Richardson 是吉他大师 Jason Richardson 的专属吉他设备插件。它集放大器、箱体、麦克风、效果器和后期处理器于一体，旨在满足像 Jason 这样的艺术家对录音室软件的各种需求！

Jason Richardson 作为一位现代创新吉他手，在音乐界享有盛誉。他曾是 Born of Osiris、Chelsea Grin、All Shall Perish 和 All That Remains 等乐队的成员，Jason 的名字已成为死亡核、金属核、前卫金属和 Djent 等音乐流派的奠基人之一。

杰森·理查森的音乐才华难以被束缚，他的精湛技艺也体现在众多个人作品中——从他的专辑《I》（2016）、《I（管弦乐版）》（2020）和《II》（2022），到与Polyphia、Auqust Burns Red、Veil of Maya、Within Destructoin等乐队合作的单曲，无不展现出他卓越的音乐才华。他的个人作品充分展现了杰森的音乐风格之多变，涵盖金属、乡村、古典等各种音乐类型。Toneforqe®

Jason Richardson插件由杰森·理查森本人与工程师/制作人/混音师泰勒·拉尔森（曾与Periphery、Veil of Maya、Erra、From First To Last等乐队合作）共同设计，灵感源自他们为杰森的个人专辑录制期间的录音过程。因此，这款插件并非对你所听到的声音的简单复刻，而是还原了杰森音乐中精准的音箱音色。

专辑中使用的

Toneforqe® 音箱：Jason Richardson 提供三种音箱选择——Clean 音箱、Rhythm 音箱和 Lead 音箱。每款音箱都拥有独特的音色特性和范围，搭配效果器和箱体，可为您带来丰富的音色选择。Clean：

Jason

的 Clean 音箱提供清澈透明的声音，在高增益下可略微过载。即使如此，它依然保持着晶莹剔透的音色——如水晶般清澈、圆润饱满，并拥有丰富的动态范围。Rhythm

：

Jason 的 Rhythm 音箱提供强劲有力的音色。它非常适合为任何金属或摇滚乐流派或子流派打造强劲的节奏基础。如果您正在寻找完美的 Djent 节奏，那么它就是您的不二之选。Lead：Jason 的

Lead

音箱以其高度饱和的高增益音色为特色。它拥有丰富的延音、突出的中频和压缩，是演奏穿透力极强的独奏和主音的理想之选。

久经考验的效果器：

Jason & Taylor 在录音过程中使用 Toneforqe® Jason Richardson 等多种效果器，将他们的音乐构想变为现实。在录音棚里，他们运用定制的延迟、混响和低保真效果器，营造出宽广、富有氛围，有时又略带粗粝的音色。这些效果器共同打造出一张浑然一体的专辑，使其在众多现代金属作品中脱颖而出。

延迟效果器

Jason 的延迟效果器可为您的音色增添深度和层次感，其设置范围从微妙低调到复杂空灵，应有尽有。

“时间”旋钮可让您调整延迟时长，从短促有力到悠长空灵，任您选择。
“音色”旋钮可用于塑造延迟信号的音色，根据所需效果使其更明亮或更暗沉。
“混合”旋钮可让您将延迟信号与干信号混合，从而在两者之间取得平衡。
“宽度”旋钮可调整延迟信号的立体声扩展，为声音增添空间感。
“反馈”旋钮可调整延迟信号的重复次数，使吉他手能够创建重复的音型或持续的音色扩散。
加州混响效果器

Jason 的混响吉他效果器可进一步拓展音色的深度和氛围。“

大小”旋钮可调整混响模拟的虚拟房间或空间的大小，从而影响混响效果的衰减时间和整体音色。
预延迟 (Pre Delay) 决定了吉他信号初始状态与混响效果生效之间的时间间隔，有助于营造更自然的混响效果。
混合 (Mix) 功能允许您混合干信号和湿信号，从而影响混响效果在混音中的强度和整体表现。Lofi Jason 的
lofi

吉他效果器旨在打造独特而粗粝的音色，可用作特殊效果。您可以将其用于创造更具冲击力的过渡，或与全频吉他叠加，获得带通滤波、失真且独特的音色。

量 (Amount) 功能允许您调节 lofi 效果的强度，决定有多少信号受到效果器的影响。
失真 (Distortoin) 功能允许您为信号添加不同程度的失真，从而创造出一系列过载音色。
范围 (Ranqe) 控制调节 lofi 效果的频率范围，使您能够创造出高音或低音的 lo-fi 音色。
您可以同时使用所有这些效果，也可以通过软件实现的真旁路功能单独关闭它们。

Toneforge® Jason Richardson is the signature guitar rig plugin of guitar virtuoso Jason Richardson. It’s an all-in-one suite of amps, cabinets, microphones, effects, and post processors designed to cover the immense variety an artist like Jason demands of his studio software!

Jason Richardson has achieved a level of unparallelled notoriety as a modern, innovative guitarist in the music community. As a former member of Born of Osiris, Chelsea Grin, All Shall Perish, and All That Remains, Jason has forged his name into the foundational bedrock of deathcore, metalcore, progressive metal, and djent.

Not one to be put in a box, Jason’s chops are showcased on plenty of solo work as well – from his albums I [2016], I (The Orchestral Sessions) [2020], and II [2022] to guest spots on singles with Polyphia, August Burns Red, Veil of Maya, Within Destruction, and more. His solo work shows just how versatile of a player Jason is – with genres and tones ranging from metal to country to classical and everything in between.

Toneforge® Jason Richardson was designed in collaboration with Jason Richardson and engineer/producer/mixer Taylor Larson (Periphery, Veil of Maya, Erra, From First To Last) during their recording sessions for Jason’s solo album. As a result, the plugin isn’t a reproduction of the sounds you’ve heard – it’s the exact amp tone you hear in his music.

Album-Used Amps

Toneforge® Jason Richardson offers three amps to choose from – a Clean amp, a Rhythm amp, and a Lead amp. Each amp offers its own unique characteristics and range which, when paired with effects and cabs, give you a broad range of tone to choose from.

Clean

Jason’s clean amp offers a clear, transparent sound which can be pushed into light breakup at higher gain levels. Even then, it remains crystalline – glassy, round, and full of dynamic range.

Rhythm

Jason’s rhythm amp offers powerful, aggressive tones. It’s perfect for creating a driving, rhythmic foundation for any genre or subgenre of metal or rock. Look no further for the perfect, djenty chug.

Lead

Jason’s lead amp is characterized by its heavily saturated, high-gain amp tone. With loads of sustain, midrange emphasis, and compression, it’s ideal for shredding solos and leads that cut through any mix.

Battle-Tested Effects

Jason & Taylor used a variety of effects to bring their vision to life in their recording sessions using Toneforge® Jason Richardson. In the studio, they employed custom delay, reverb and lofi pedals to create spacious, atmospheric, and at times gritty sounds. Collectively, these effects contributed to a cohesive album that stands out from other modern metal releases.

Delay

Add depth and dimension to your sound with Jason’s delay pedal with settings that range from subtle and understated to complex and otherworldly.

Time allows you to adjust the length of the delay, which can range from short and snappy to long and ethereal.
Tone can be used to shape the tone of the delayed signal, making it brighter or darker depending on the desired effect.
Mix allows you to blend the delayed signal with your dry signal, creating a balance between the two.
Width adjusts the stereo spread of the delayed signal, which can add a sense of space to the sound.
Feedback adjusts the number of repeats of the delayed signal, allowing the guitarist to create a repeating pattern or a continuous wash of sound.
Californian Reverb

Expand into further depths and ambience with Jason’s reverb guitar pedal.

Size adjusts the size of the virtual room or space that the reverb emulates, affecting the decay time and overall tonality of the reverb effect.
Pre Delay determines the amount of time between the initial guitar signal and the onset of the reverb effect, which can help to create a more natural-sounding reverb.
Mix allows you to blend the dry and wet signals, which can affect the intensity and overall presence of the reverb effect in the mix.
Lofi

Jason’s lofi guitar pedal was designed to achieve a unique and gritty sound as a special effect. Use it as a way to create more impactful transitions or layered with more full-range guitars for a band-passed, distorted, uniquely filtered sound.

Amount allows you to adjust the level of the lofi effect, determining how much of the signal is affected by the pedal.
Distortion allows you to add varying levels of distortion to the signal, creating a range of overdriven tones.
Range control adjusts the frequency range of the lofi effect, allowing you to create a lo-fi sound that is either high-pitched or low-pitched.
Use all of these effects together or toggle them off individually with software-enabled true bypass.

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