滤波器Cupwise Raybon and Wyte HP LP Filters [Nebula]

P2P | 15 January 2026 | 91 MB | 官网

现在有了 Max 定制的图形（皮肤）！

为了尽可能多地捕捉模拟声音，我再次对这些滤波器进行了动态采样。这在 Nebula 的世界里仍然非常罕见。市面上绝大多数的均衡器/滤波器相关程序都是非动态的。在滤波器程序中采样动态意味着，无论您选择滤波器的任何位置，您都会获得该位置的动态模型。大多数均衡器/滤波器库中的均衡器/滤波器程序本身不具备动态特性，您必须将其与一个不带滤波功能的直通程序搭配使用，而后者虽然具备动态特性，但效果并不完全相同，因为它无法提供均衡器/滤波器在每个位置的动态特性。而本套装中的程序则做到了这一点。本套装包含

：

一个高通滤波器向量和一个低通滤波器向量，均采样自“Raybon”硬件 672A 单元，并带有动态特性；以及
两个高通滤波器向量和一个低通滤波器向量，均采样自“Wyte”4660 单元，并带有动态特性。第一批矢量信号仅使用了高通和低通滤波器，而第二批则采样了31段图示均衡器部分的频段，以“增强”滤波效果，从而实现更深的衰减和更宽的频响范围。
此外，还有一个额外的矢量信号来自前置放大器（更多信息请参阅手册），以及分别用于“Raybon”和“Wyte”单元的直通矢量信号。
因此，总共有9个矢量信号，全部带有动态处理，其中3个为高通滤波器，3个为低通滤波器。每个矢量信号都有2到3个程序/预设，提供不同的音质选项。第一个“精简版”通常缺少动态处理，并且始终缺少谐波。由于它占用更少的CPU/内存，因此可以让你的项目运行得更加流畅。接下来是标准版，它是主要产品。它们始终具有完整的动态处理和谐波。 SHQ 程序与标准程序类似，但所有内核都使用 TIMED 模式和略快的编程速率，这在略微提升音质的同时，会消耗更多 CPU 资源（这些仅用于渲染！）。
所有滤波器在其可扫频范围内均可完全调节（除了额外的 T-BeeOne HP，它可以在几个位置之间切换），并且采集了足够的样本以保持滤波器形状并实现平滑过渡。请查阅手册以了解每个滤波器的范围和 dB/倍频程斜率！
整个库提供四种采样率：44.1、48、88.2 和 96kHz。

此库还包含 Max Ponomaryov（又名 azzimov）制作的精美自定义皮肤！

Now with custom graphics (skins) by Max!

I wanted to capture as much of the analog sound as possible, so again, I sampled these filters with dynamics. This is still a very rare thing in the Nebula world. The vast majority of EQ/filter related programs out there are non-dynamic. Having sampled dynamics in the filter programs means that for any position of the filter you select, you are getting a dynamic model of the unit for that position. With most EQ/filter libraries, the EQ/filter programs themselves don’t have dynamics and you have to pair them with a pass-through program without filtering which does have dynamics, but this isn’t quite the same because it doesn’t give you the dynamic behavior of the unit for each position of the EQ/filter. The programs in this set do.

In this set:

One HP and LP filter vector each, sampled with dynamics, from the ‘Raybon’ hardware 672A unit.
2 HP and LP filter vectors each, sampled with dynamics from the ‘Wyte’ 4660 unit. The first vectors just used the HP and LP filters alone, but the second ones were sampled with the bands from the 31 band graphic EQ section used to ‘enhance’ the filtering, to give deeper cuts with a wider range.
A bonus HP filter vector sampled from a preamp (check the manual for more info about this), and a pass-through vector each for the ‘Raybon’ and ‘Wyte’ units.
So that’s 9 vectors all with dynamics, 3 HP and 3 LP filters. Each has 2 or 3 programs/presets providing different quality options. The first, ‘lite’, usually lacks the dynamics, and always lacks harmonics. This one allows you to have more running smoothly in your project because it uses less CPU/RAM. Standard is next and it’s the main product. They always have full dynamics and harmonics. The SHQ programs are like standard, but all kernels use TIMED mode and slightly faster prog rates, which ever so slightly improves the sound at the cost of much more CPU (these are for rendering only!).
All of these filters are fully variable across their sweepable ranges (except the bonus T-BeeOne HP, which is switchable between several positions), and enough samples were taken to maintain the filter shape and give a smooth transition. Check the manual to see what the ranges and dB/octave slopes are for each filter!
Entire library is available in four sample rates- 44.1, 48, 88.2, and 96khz.

This library comes with excellent custom skins by Max Ponomaryov, aka azzimov!