压缩机Cupwise Rayphlex Compressors Mk2 [Nebula]

P2P | 16 January 2026 | 220 MB

这套设备最初发布时（2012 年 9 月），对许多 Nebula 用户来说，它是第一款“真正好用”的 Nebula 压缩器。在此之前，Nebula 在很多人眼中压缩效果并不理想，压缩器程序通常只是用来调节音色，需要搭配 VST 插件才能实现真正的增益衰减。可以说，这套设备的发布彻底改变了这一切。

这套硬件以其精准度和一定的透明度而闻名，同时又保留了自身独特的音色。它拥有丰富的控制和功能（包括一个额外的高频控制部分，我在这里采样使用了它），这使得采样变得非常棘手，但也正是这一点吸引了我。它在噪声/失真方面也拥有惊人的性能，谁知道呢，也许有一天它会被奉为现代经典。有些人似乎已经这么认为了。

这个库包含以下内容：

独立的硬拐点和软拐点压缩器程序，带有采样可调的压缩比、启动时间和释放时间控制。

此外，还有额外的硬拐点和软拐点压缩器程序，其中包含高频增强控制，可以防止高频过度压缩。这样做的目的是为了避免在进行大量压缩时声音变得沉闷。由于额外的控制，这些程序非常消耗 CPU 资源。在我的 96kHz 系统上，我勉强可以运行完整版，但精简版运行得更好一些。您应该会得到类似的结果（44.1kHz 或 48kHz 占用资源更少，因此您可能会觉得它们还可以），实际上，它们应该被视为一个附加功能，您可能用不到。我认为其他主要的压缩器程序（不带高频控制）已经物超所值。所以，如果您能让这些程序正常工作，那将是一个不错的额外收获。

“更软”的拐点压缩器程序——采样自硬件的自动模式，其拐点实际上比主要的软拐点模式还要柔和。这些程序还包含高频增强控制。这些程序不像带有 HFcon 的主硬/软拐点程序那样复杂，因此占用更少的 CPU 资源。

这是一个“前置放大器式”程序，采样自压缩旁路的设备，并带有一个用于低音相位增强的开关。这算是硬件的一个附加功能。它是一种微妙的效果，在某些情况下可以用来使低音更加“清晰”。使用此程序，您可以将低音相位增强器应用于任何素材，无论是否与此库中的任何压缩程序搭配使用。CPU 占用低。

另一个前置放大器风格的程序，采样自输出电子管过载且压缩旁路的设备。你会得到一种由电子管级产生的过载效果。你可以使用“od”和“dist”旋钮来调节过载程度。

所有压缩器都提供精简版、完整版和超高品质版。精简版占用CPU资源最少，且不包含采样谐波。它适合在渲染前试听和设置混音效果。完整版增加了一些采样谐波，但会占用更多CPU资源。超高品质版拥有最完整、最高质量的压缩器模型，但CPU占用率很高，只能用于渲染。

这款出色的压缩器库还附带了一些由JPN制作的精美Nebula 3和Nebula 4皮肤！

When this set was first released (September 2012) it had the distinction with many Nebula users as being the first Nebula compressor that ‘actually works’. Before this release, Nebula had a reputation with many as not being very good for actual compression, and compressor programs were commonly used just for their tone, in combination with VST plug-ins to do the actual gain reduction. I think it’s more than fair to say that this release helped change all that.

The hardware has a great reputation for precision, and being somewhat transparent, while still having its own character. It has lots of controls and features (including an extra high frequency control section, which I sampled for use here), which made it very tricky to sample, but that’s part of what drew me to them. It also has amazing specs as far as noise/distortion goes, and who knows, they may one day be considered a modern classic. Some people seem to think of them as such already.

Here’s what’s in this library:

Separate hard and soft knee knee compressor programs, with sampled adjustable controls for ratio, attack, and release.

Additional hard and soft knee compressor programs, which include high frequency enhancement controls which can prevent high frequencies from becoming overly compressed. The idea is to prevent a dull sound when lots of compression is happening. These programs are very CPU intensive because of the extra controls. On my system at 96khz, I can just barely run the full version live, however lite versions run a little bit better. You should expect similar results (44.1 or 48khz use less resources so you may find those ok), and really they should be thought of as a bonus which you may or may not be able to use. I feel the other, main compressor programs (without the HF controls) are more than worth the asking price of this library. So if you can get these ones working, it’s a nice bonus.

The ‘softer’ knee compressor programs- sampled from the hardware’s automatic mode, which actually has an even softer knee than the main soft knee mode. These programs also include the high frequency enhancement controls. These programs aren’t quite as complex as the main hard/soft knee with HFcon ones, so they use less CPU.

A ‘preamp-style’ program sampled from the units with the compression bypassed, and with an on/off switch for bass phase enhancement. This is kind of a bonus feature on the hardware. It’s a subtle effect that in some cases can be used to bring low bass ‘more into focus’. With this program you can use the bass phase enhancer with any material, regardless of whether you pair it with any compression programs from this library. Low CPU use.

Another preamp-style program that was sampled from the units with their output tube stage being overdriven, and with the compression bypassed. You get a kind of overdrive effect caused by the tube stage. You can dial in how much you want with the ‘od’ and ‘dist’ controls.

All compressors come in lite, full, and shq varieties. Lite uses the least amount of CPU and has no sampled harmonics. It’s good for auditioning and setting up the effect in your mix before rendering. Full versions add some sampled harmonics at a cost of more CPU use. SHQ (super high quality) have the most complete, best quality model of the compressors, but use a lot of CPU and can only be used for rendering.

This great compressor library comes with some really nice skins for both Nebula 3 and Nebula 4, by JPN!

https://www.cupwise.com/shop/rayphlex-compressors-mkii/