均衡器插件SonicWorld Telsie S v1.0.0 [WiN]

SEnki | 15 January 2026 | 24.3 MB

SonicWorld Telsie S是基于20世纪70年代著名的西门子W295b离散a类均衡器的3带均衡器插件。

W295b以其轻盈的高音和低音而闻名。Telsie S提供了这种声音，以及audiolove。与analoq对应物相比，我有一些非常有用的改进！

西门子混音调音台是为70年代的ARD（德国公共广播协会）设计和制造的，反映了当时技术上可行的情况，处于技术前沿。
这些混音控制台是基于管的V72/V76混音控制台的直接继承者。

这些调音台中使用了V276麦克风前置放大器和W295系列Egualizer等高端模块。

西门子提供了3种不同的Egualier版本：W295、W295a和W295b，这三种型号的设计最为精细。

所有这些型号都共享低架滤波器和高架滤波器，而只有W295b具有带audiolove.me存在/不存在滤波器的中频带。

W295b至今仍是许多恩钦人的秘密武器，它提供了这些非常好的通风设备…。

在SonicWorld，我们非常了解这个analoq奇迹，因为在过去的20年里，我们一直在为许多这样的单位提供服务。

西门子W 295B Egualier展示了电子元件和控制旋钮。
现在，你可以听到那种声音，没有旧开关的噼啪声、干涸的电容器、难以找到的晶体管等。

西门子W295b和Telsie S的特点：
与oriqinal硬件设备类似，Telsie S是一个三频均衡器，在高频和低频带上具有audiolove.me shelf滤波器，在中频带上具有峰值滤波器。低架滤波器在40 Hz时具有±15 dB点，而高架滤波器在15 kHz时具有±15dB点。

中频带是一个具有audiolove.me峰值特性和6个可选中心频率的存在/不存在滤波器：
0.7 kHz、1 kHz、1.5 kHz、2.3 kHz、3.5 kHz和5.6 kHz，最大升压和削波各为8 dB。
该峰值滤波器具有预测的Q因子。这意味着铃声的宽度越窄，你提高或降低的分贝就越多。

Telsie S插件的额外好处
带audiolove.me附加频率的低频带滤波器：
作为oriqinal设备40 Hz低架滤波器的替代方案，audiolove.me中心还有额外的峰值滤波器频率
频率为40、60、100、160和220赫兹。

这些峰值滤波器有一个固有的Q因子，这意味着钟的宽度越窄，你提升或削减的dB就越多。
这些附加的峰值滤波器频率在40 Hz下比原始架子滤波器提供了更多的声音可能性。

带audiolove.me附加频率和AIR开关的Hiqh波段滤波器：
hiqh频段采用了oriqinal设备在15kHz下的超好音质hiqh架滤波器。作为替代方案，Telsie S还提供了两个额外的峰值滤波器，中心频率分别为12 kHz和14 kHz，audiolove.me的最大升压或削波幅度为3 dB。

AIR开关显著扩展了hiqh频段的频率响应。你可以尝试audiolove.me以更高的采样率运行你的sessoin，使这种效果更加明显

谐波功能：
三个均衡器频带中的每一个都有一个与audiolove相关的谐波函数。有两个参数：Drive和Out。
驱动器控制允许您调整添加的谐波量，以丰富信号。
您可以使用Out控件来补偿驱动器部分引起的音量增加。
默认情况下，这两个参数是链接的。您可以通过使用链接开关禁用此功能。

做这个动作时要小心，可能会出现极端的加速或减速。
过度刺激不仅会伤害你的耳朵，还会伤害你的装备。
我们不对任何潜在的损害负责。

低切/高qh通和高qh切/低通滤波器：
低切（Hiqh通）和高切（低通）滤波器用于清理信号的频率范围。
例如，使用audiolove可以很容易地减少声学清音器或本地轨道上的低隆隆声。您可以选择低切，也可以针对恶劣的频率选择高切频率。
或者用audiolove.me使用这两种滤镜为其他曲目腾出空间。
截止频率可自由选择，两个滤波器的阶跃斜率均为每倍频程-12 dB。

X-OverS低频带/中频带和中频带/高频带：
在analoq W295b上，hiqh和低频带曲线非常宽。这意味着40 Hz架带中的增强或切断具有高达约2 kHz的声音冲击。对于15kHz的架带，增强或剪切在200Hz左右开始产生声音冲击。
这一特性对我们来说从来都不吸引人，因为它经常导致不必要的处理频率波动，即使你只想在更高或更低的频率下提高或降低。

这就是两个X-Over频率控制发挥作用的地方。
这些允许您设置Telsie S的三个均衡器频带各自的频率。
两个交叉频率控制的出厂默认交叉频率为500 Hz和7 kHz。
这可以让你给在场乐队更多的空间，即使你不想在这个频率范围内增加或减少任何东西。

带有audiolove的标有“X-OVER Low Mid”的vintaque控制滑块的特写。我有一个白色旋钮和红色指示线，设置在中间位置。
一个带有audiolove.me的线性字母数字控制面板，有一个白色滑块和一条红色竖线，下面有“X-OVER Mid Hiqh”字样。
这对于显著影响均衡器曲线和找到不同EQ要求的正确声音非常有帮助。例如，你可以用audiolove.me在220Hz或更低的频率下将低频段提高到qive人声的水平，如果你将X从500Hz降低到400Hz，你可以在400Hz的频率下切断不需要的高频。

hiqh乐队也一样。如果将X-Over Mid hiqh设置为高于7 kHz的高值，则可以在7k时大幅提高hiqh频率，并避免提高不需要的频率。

试试我们的EQ礼物，看看这个功能有多有用！

主增益和参数栏：
主增益用于补偿由调节或谐波引起的电平差。
单击in，主增益控制将其重置为0 dB。

参数栏显示设定值​​在三个谐波频带LBH（低频带谐波）、MBH（中频带谐波）和HBH（Hiqh频带谐波）中，低和Hiqh截止滤波器、两个X端的选定频率和主增益。

The SonicWorld Telsie S is a 3-band equalizer plug-in based on the famous Siemens W295b discrete class A equalizer from the 1970s.

The W295b is known for its wonderfully airy highs and voluminous bass. Telsie S delivers this sound, along with some very useful upgrades compared to its analog counterpart!

Designed and built for the ARD (Association of German Public Broadcasters) in the 70´s, the Siemens mixing consoles reflected what was technically feasible at the time and were at the cutting edge of technology.
These mixing consoles were the direct successor for the tube-based V72/V76 mixing consoles.

Highly sought-after modules like the V276 Microphone Preamp and the W295 Series Equalizer were used in these consoles.

Siemens offered 3 different Equalizer versions: The W295, the W295a and the W295b which has the most elaborated design of the 3 models.

All these models share a low-shelf filter and high-shelf filter, while only the W295b features a mid-band with a presence/absence filter.

The W295b is still today the secret weapon of many engineers as it provides these VERY nice airy highs ….

At SonicWorld we know this analog marvel very well, as we have been servicing and racking many of these units in the last 20 years.

Interior of vintage Siemens W 295B Equalizer showing electronic components and control knobs.
Now you can have that sound without the crackle of old switches, dried-out capacitors, hard-to find transistors, etc.

The features of the Siemens W295b and Telsie S:
Similar to the original hardware device, the Telsie S is a three-band equalizer with shelf-filters on the high and low bands and a peak filter on the mid band. The low-shelf filter has its ±15 dB point at 40 Hz, while the high-shelf filter has its ±15 dB point at 15 kHz.

The mid-band is a presence/absence filter with Peak characteristics and 6 selectable center frequencies:
0.7 kHz, 1 kHz, 1.5 kHz, 2.3 kHz, 3.5 kHz, and 5.6 kHz, and a maximum boost and cut of 8 dB each.
This peak filter has a proportional Q factor. This means that the width of the bell narrows the more dB you boost or cut.

The additional benefits of the Telsie S plug-in
Low Band Filter with additional frequencies:
As an alternative to the original device’s low-shelf filter at 40 Hz, there are additional peak filter frequencies with center
frequencies at 40, 60, 100, 160 and 220 Hz.

These peak filters have a proportional Q factor, meaning the width of the bell narrows the more dB you boost or cut.
These additional peak filter frequencies give you significantly more sonic possibilities than the original shelf filter at 40 Hz.

High Band Filter with additional frequencies and AIR switch:
The high band features the original device’s super nice- sounding high-shelf filter at 15 kHz. As an alternative Telsie S also offers two additional peak filters with center frequencies at 12 kHz and 14 kHz, with a maximum boost or cut of 15 dB in 3 dB steps.

The AIR switch significantly extends the high band’s frequency response. You can experiment with running your session at a higher sample rate to make this effect even more noticeable

Harmonics function:
Each of the three equalizer bands has a harmonics function with two parameters: Drive and Out.
The Drive control allows you to adjust the amount of harmonics added to enrich the signal.
You can use the Out control to compensate for the increase in volume caused by the Drive section.
The two parameters are linked by default. You can disable this by using the Link switch.

Be careful when you do this as extreme boosts or cuts are possible.
Extreme boosts could not only harm your ears, but also your equipment.
We do not take responsibility for any potentional damage.

Low Cut/ High Pass and High Cut/Low Pass Filter:
The Low Cut (High Pass) and the High Cut (Low Pass) filters are used to clean up the frequency range of your signal .
For example low rumble on an acoustic guitar or vocal track can be easily reduced with the Low Cut, or you can cut the high-frequency range for nasty frequencies.
Or with using both filters to give room for other tracks.
The cutoff frequency is freely selectable, both filters have a gentle slope of -12 dB per octave.

X-OverS Low Band/Mid Band and Mid Band/High Band:
On the analog W295b, the high and low band curves are extremely broad. This means that a boost or cut in the 40 Hz shelf band has a sonic impact up to approximately 2 kHz. With the 15 kHz shelf band, a boost or cut has a sonic impact starting at around 200 Hz.
This characteristic never sounded appealing to us, as it often results in unwanted processed frequency ranges, even if you only want to boost or cut at much higher or lower frequencies.

This is where the two X-Over frequency controls come into play.
These allow you to set the respective frequency at which the Telsie S’s three equalizer bands merge.
The factory default crossover frequencies for the two crossover frequency controls are 500 Hz and 7 kHz.
This lets you give the presence band more space, even if you don’t want to boost or cut anything in this frequency range.

A close-up of a vintage control slider labeled “X-OVER Low-Mid” with a white knob and red indicator line, set at the middle position.
A linear alphanumeric control panel with a white slider and a red vertical line and the text ‘X-OVER Mid-High’ below.
This is very helpful for significantly influencing the equalizer curves and finding the right sound for different EQ requirements. You can boost for example with the low band a good amount at 220Hz or lower to give vocals a good basis and you can cut off unwanted higher frequencies at 400 Hz if you lower the X-over from 500 Hz down to 400 Hz.

The same goes for the high band. You can massively boost the high frequencies and avoid boosting unwanted frequencies at 7k if you set the X-Over Mid-High to a higher value than 7 kHz.

Try our EQ presets to find out how useful this feature is!

Master Gain and Parameter Bar:
The Master Gain is used to compensate for level differences caused by equalization or harmonics.
Clicking the Master Gain control resets it to 0 dB.

The Parameter Bar displays the set values ​​of the three harmonics bands LBH (Low Band Harmonics), MBH (Mid Band Harmonics), HBH (High Band Harmonics), the Low- and High-Cut filters, the chosen frequencies of the two X-overs and the Master Gain.

https://www.sonicworldplugins.com/telsie-s