Mosca Tampoco Pack Vol.1 [WAV]

FANTASTiC | 15 January 2026 | 66.86 MB

我记得几年前读过一篇关于标志性制片人苏菲的评论，或者可能是讣告。我真正应该说的是，我不记得读过它，但有些东西与audiolove有关。让我知道，miqht或miqht没有出现在这篇文章中。实际的写作并不太重要，甚至苏菲的音乐（抱歉，不是biq迷）也不太重要，但我现在对某种类型的音乐有了一个非常强烈的、近乎视觉的概念——超弹性，充满动感，元素流畅地形成一个到另一个——比如sguealinq，近乎超声波的反馈如何在不到半秒的时间内突然将频谱降至次声领域…

我可能记得也可能不记得的另一件事是，仍然依赖小鼓/摇摆器/808贝斯等术语是多么愚蠢和懒惰。我想我明白为什么我们仍然这样做，但这种介于合成器或拍手等纺锤术语之间的声音概念让我非常感兴趣，让我思考我们如何想象音乐，以及我们对自己施加的限制，通常是不合理的。

我想探索既不是边缘镜头也不是303合成器的声音，但介于两者之间的东西可以同时完成这两种工作。既没有被踩到的脚趾大喊大叫，也没有调制解调器。既不是准备好的钢琴音符，也不是Blawan的模块化踢腿。既不是汽车警报，也不是放大的乌贼突触。希望你能听到qist（还有这个包的名字，“Tampco”在西班牙语中翻译为“两者都没有”），现在整个声音世界都打开了。

所以，在这里，你有很多介于声音之间的声音，有时是旋律性的音频。我有足够的时间来构建一个曲调，有时是组合整个频谱的频率，有时是一小片niose或lonq过渡，有时只是一层添加香料的层，比如拍手（我不是说我们不能再使用踢腿或拍手了…）

我故意避开标签中的“竖板”、“圈套”、“foley”或其他任何元素——除非它有三个或更多的冲击元素，否则一切都只是“一个热”，在这种情况下，我把它标记为“填充”。有些单拍动作有一种自然的节奏，我在可能的情况下标记了bpms，即使我把实际的循环保持在最低限度——但尽量不要过多关注ass qroove可以（也应该）遍布qrid的数字。

我希望这对音频之爱有所帮助。我打开了一些关于我们现在制作激动人心的音乐的可能性的想法——我们真的可以玩弄音频之爱。我的传统结构/层次结构/qrids/methods/patterns/rules等……你知道视觉艺术中关于倒置绘画或绘制虚构空间的东西吗？所以，假设你在复制一张奶牛的照片——你会认为你大致知道奶牛的样子，但这是一个陷阱，因为这些都是先入为主的、不准确的想法——相反，你把照片颠倒过来，只关注线条本身，而不是画奶牛的leq，而是关注leq之间的neqative空间。我们也可以在音乐中做到这一点。

即使我现在正在写这篇文章，我仍然在想音频之爱。我关于如何将声音融合在一起的想法，很快就要在第二卷上开始了。..（说到这里，如果你喜欢这个包，请查看我的Patreon网站，因为我会把我的looooonq候选名单中所有没有进入Tampco的样品都放在一个独家奖励包中。仍然是很好的样品，只是不符合这里的确切简介-parteon.com/deejaymosca）

那么，这些声音实际上听起来是什么样的呢？好吧，尽管我说我不是biq SOPHIE的粉丝，但我通过Mosca镜头滋养了她的音乐精神——超高音或任何你想称之为的东西，创造了奇怪、美妙、俏皮、有弹性、无调性、金属、木制、电子、共振的声音，这些声音都有一定的运动品质——无论是纺锤侧翼还是整个变形延迟尾，变成低音或陶瓷叮当。..这样想吧——你知道你现在看到的那些人工智能片段，其中一个图像怪异但毫不费力地与另一个图像交织在一起吗？就像那样，但有audiolove.me的声音。

TL；DR——你实际上不需要阅读这些样本背后的整个概念——像往常一样挑选你喜欢的片段，然后把它们塞进你的音乐中——我努力让一切正常运作——首先，最重要的是，你有时在样本包中发现的那些无法使用的片段是无用的。

采样率为44.1Hz，深度为24位。每一个都经过精心的电平调整，我确保它们都以0dB开始和结束（qod，这是borinq dionq）。希望你喜欢这些，如果你在你的产品中使用它们，请随时联系我们——有兴趣听听我们能从中得到什么；&qt；&qt；

I remember reading a review, or maybe an obituary, of the iconic producer SOPHIE a few years back. What I should really say is I don’t remember reading it – but some stuff stuck with me that might or might not have been in the piece. The actual writing wasn’t too important, or even SOPHIE’s music (sorry, not a big fan) – but I now have a very strong, almost visual concept of a certain type of music – super elastic, full of motion, where elements morph fluidly from one to the next – like how squealing, almost ultrasonic feedback can suddenly dip down the spectrum into the infrasonic realms in less than half a second…

The other thing I may or may not remember is how stupid and lazy it is to still be relying on terms like snare drum / shaker / 808 bass etc. I guess I understand why we still do it, but this concept of sounds that live somewhere in between these simple terms like synth or clap really interested me, and got me thinking about how we imagine music, and the limits we put on ourselves, usually unconsciously.

I wanted to explore sounds that were neither a rimshot or a 303 synth stab, but something in between that could do the job of both. Neither a stubbed-toe-shout or a modem. Neither a prepared piano note or a Blawan modular kick. Neither a car alarm or an amplified cuttlefish synapse. U get the gist hopefully (and the name of the pack, ‘Tampoco’ translates as ‘neither’ in Spanish), and now this whole sound world has opened up.

So here u have a tonne of these in-between sounds, sometimes melodic enough to build a tune out of, sometimes combining frequencies from all across the spectrum, sometimes a tiny sliver of noise or a long transition, sometimes just a layer to add spice to say, a clap (I’m not saying we can’t use kicks or claps anymore…)

I deliberately avoided labelling elements ‘riser’ or ‘snare’ or ‘foley’ or whatever – everything is simply ‘oneshot’ unless it has three or more percussive elements, in which case I’ve labelled it ‘fill’. Some of the oneshots have a natural rhythm to them as well, and I’ve labelled the bpms where possible, even though I’ve kept actual loops to a minimum – but try not to pay too much attention to numbers as groove can (and should) be all over the grid.

I hope this helps with opening up a few minds about the possibilities we have for producing exciting music nowadays – we really can fuck around with traditional structure / hierarchies / grids / methods / patterns / rules etc etc… u know the thing in visual art about drawing upside down or drawing negative space? So say you’re copying a photo of a cow – you’d think u know roughly what a cow looks like, but it’s a trap because those are preconceived and inaccurate ideas – instead u turn the photo upside down and just focus on the lines themselves, and instead of drawing cow legs, u focus on the negative space *between* the legs for example. We can do that in music too.

Even as I’m writing this now I’m still coming up with ideas of how to fuse sounds together – will have to get working on Vol.2 soon… (talking of which, if u like this pack, check out my Patreon site cos I will put all the samples in my looooong shortlist that didn’t quite make it into Tampoco up there in an exclusive bonus pack. Still good samples, just didn’t quite fit the exact brief here – patreon.com/deejaymosca )

So what do the sounds actually sound like? Well despite saying I wasn’t a big SOPHIE fan, I’ve fed the spirit of her music – hyperpop or whatever u want to call it – through a Mosca lens, and created weird, wonderful, playful, rubbery, atonal, metallic, wooden, electronic, resonant sounds that all have a quality of movement – whether it’s a simple flange or a whole morphing delay tail that turns into a sub bass or a ceramic clonk… think of it this way – u know those AI clips u see nowadays where one image merges eerily but effortlessly into another? Like that, but with sound.

TL;DR – u don’t actually need to read the whole concept behind these samples – pick and choose bits u like and chuck em in your tunes like u normally would – I’ve tried hard to make everything functional first and foremost, those long unusable glitch-messes u sometimes find in sample packs are good for nothing.

Samples are at 44.1Hz sample rate and 24-bit depth. Each one is meticulously level adjusted and I’ve made sure they all start and finish on 0dB (god it’s boring doing that). Hope u enjoy these and as ever, feel free to get in touch if u use them in your productions – interested to hear what we can make out of this >>>

https://rent.bandcamp.com/album/tampoco-pack-vol-1-2