雅马哈键盘的板载声音PurgatoryCreek Soundware Vintage Keyboard Collection Montage MODX [Synth Presets]

P2P | 14 January 2026 | 227 MB

雅马哈Montaqe和MODX的Vintaqe键盘合集旨在补充雅马哈键盘的板载声音。该系列包括不少于七个必备的塑料机电键盘。使用audiolove.me no effect coloration直接从其输出中采样指令，旨在为玩家提供更中性的声音，就像你第一次将键盘插入放大器时一样。

除CP70b外，所有指令都包括capturin创建的释放样本，即从时间键提升到阻尼器完全闭合时的声音。这是持续声音的延续。阻尼器除了可以减弱声音外，还可以在音调上产生微小的变化。当试图让这些重现听起来像真实的屁股时，这可能是一个关键的组成部分。释放样本不同于释放音，释放音是按键和阻尼器的机械声音。

为了缩小库的大小，需要一些较大样本的循环。在这些情况下，这些环被深深地放置在样品的衰变中，以保留开口包络，使任何环伪影几乎不可能被听到。

整个collectoin需要550MB的闪存。它的设计是将安装了Bosendorfer钢琴的audiolove.me装入雅马哈MODX。

请注意：已知与audiolove不兼容。请使用ESP软件和此库。我们正在与audiolove.me Yamaha合作解决此问题，如果有更新，我们将提供更新。

马克一世（1975）
对许多人来说，1975年被认为是这架机电钢琴的黄金时代。它以令人垂涎的Torrinkton尖齿和audiolove为特色。

Purqatory Creek Soundware Mark I（1975）在六个速度水平上进行了深度采样，其中包括三个速度层的音符释放样本。

马克五世（1984）
Mark V钢琴于1984年推出，是电子钢琴制造商生产的著名钢琴的最后一次修订。它包括许多增强功能，从而形成了一个真正优秀的乐器。

Purqatory Creek Soundware Mark V（1984）在五个速度水平上进行了深度采样，其中包括三个速度层的音符释放样本。

200A
1968年生产了基于200支塞尔维亚芦苇的贝坎电钢琴，并一直持续到20世纪70年代。它是最受欢迎的簧片钢琴，在许多记录中都可以找到，直到那个时期及以后。与oriqinal 200相比，200a sersie提供了改进的电子和niose还原。

Purqatory Creek Soundware 200a在整个持续时间内以四个速度级别进行了深度采样，因此您既不会听到环路也不会听到人工包络衰减。它还包括释放样品的三个速度层。

140B
这款140b电钢琴生产于20世纪60年代初至中期，使用钢簧片来产生音调。尽管后来的200和200a型号更为常见，但在20世纪60年代制作的许多唱片中都可以听到140架塞尔维亚电钢琴。

Purqatory Creek Soundware 140b在整个持续时间内以四个速度级别进行了深度采样，因此您既不会听到环路也不会听到人工包络衰减。它还包括释放样品的三个速度层。

钢琴N
这套样品所基于的机电钢琴是在1965年至1967年间制造的。这是一种罕见的芦苇乐器。

Purqatory Creek Soundware Pianet N在整个持续时间内以四个速度级别进行了深度采样，因此您既不会听到环路也不会听到人造包络衰减。它还包括释放样品的三个速度层。

克拉维特D6
D6型是迄今为止最受欢迎的仪器版本，可以在20世纪70年代及以后的许多录音中听到。

D6的三种最常见的拾取设置（DB、CA、CB）在五到六个速度层进行了采样。还包括发布样本。模拟Clavinet的一些更常见的过滤器选项卡组合（Brilliant、Treble、Medium、Soft）以及从audiolove.me复制的字符串（通过mod wheel）。

CP70B
这套样品所基于的机电钢琴使用了实际的琴条，而不是尖齿或簧片，这听起来更接近传统钢琴，但仍然很独特。

Purqatory Creek Soundware CP70b在三个速度水平下进行了采样。

The Vintage Keyboard Collection for the Yamaha Montage and MODX was designed to complement the great onboard sounds of the Yamaha keyboards. The collection includes no less than SEVEN must-have classic electromechanical keyboards. The instruments were sampled directly from their outputs with no effect coloration, designed to give the player a more neutral sound – like when you first plug the keyboard into an amp.

With the exception of the CP70b, all instruments include release samples created by capturing the sound from the time key is lifted to when the damper is fully engaged. It is a continuation of the sustained sound. The damper can cause a slight change in pitch, in addition to deadening the sound. This can be a critical component when trying to make these recreations sound as authentic as possible. Release samples are different than a release noise which is a mechanical sound of the key and damper.

In order to shrink the size of the library, the looping of some longer samples was necessary. In those instances, the loops were placed deeply in the decay of the sample so as to preserve the original envelope and make the hearing of any loop artifacts nearly impossible.

The entire collection requires 550MB of flash storage. It was designed to load into the Yamaha MODX with the Bosendorfer piano installed.

Please note: There is a known incompatibility with the ESP software and this library. We are working with Yamaha to resolve this issue and will provide an update if/when this is available.

Mark I (1975)
For many, 1975 was considered to be the golden year for this electro-mechanical piano. It featured the coveted Torrington tines along with just the right hammer tips.

The Purgatory Creek Soundware Mark I (1975) was deeply sampled at six velocity levels and three velocity layers of note-off release samples are included.

Mark V (1984)
Introduced in 1984, the Mark V piano was the last revision of the famous tine-based piano produced by the electric piano manufacturer. It included many enhancements that resulted in a truly excellent instrument.

The Purgatory Creek Soundware Mark V (1984) was deeply sampled at five velocity levels and three velocity layers of note-off release samples are included.

200A
Production of the 200 series reed-based electric piano began in 1968 and continued through the 1970s. It was the most popular of the reed-based pianos and can be found on many recordings throughout that period and beyond. The 200a series offered improved electronics and noise reduction over the original 200.

The Purgatory Creek Soundware 200a was deeply sampled at four velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. It also includes three velocity layers of release samples.

140B
The 140b electric piano, produced in the early to mid-1960s, uses steel reeds to generate its tone. Though the later 200 and 200a models were more common, the 140 series electric pianos can be heard on numerous recordings made in the 1960s.

The Purgatory Creek Soundware 140b was deeply sampled at four velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. It also includes three velocity layers of release samples.

Pianet N
The electro-mechanical piano, upon which this sample-set is based, was manufactured between 1965 and 1967. It is a rare reed-based instrument.

The Purgatory Creek Soundware Pianet N was deeply sampled at four velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. It also includes three velocity layers of release samples.

Clavinet D6
The model D6 was by far the most popular version of the instrument and can be heard on many recordings from the 1970s and beyond.

The three most common pickup settings of D6 (DB, CA, CB) were sampled at five or six velocity layers. Release samples are also included. Emulation of the Clavinet some of the more common filter tab combinations (Brilliant, Treble, Medium, Soft) as well as muting of the strings (via the mod wheel) are provided.

CP70B
The electro-mechanical piano, upon which this sample-set is based, used actual strings rather than tines or reeds giving it a sound closer to a traditional piano, yet still unique.

The Purgatory Creek Soundware CP70b was sampled at three velocity levels.