Nembrini Audio – HK Tube Rotosphere v1.0.0 for WiN-乐声音频-资源网

Download Size: 14.3 MB | Original Publisher: Nembrini Audio

Nembrini Audio很高兴推出Hughes&Kettner Tube Rotosphere插件，这是备受赞誉的Hughes&Kettner Tuesday Rotosphere MKII旋转扬声器模拟器的真实数字仿真。在这里听，在这里看。20世纪60年代，最初于20世纪30年代为哈蒙德风琴开发的Leslie扬声器系统开始被披头士乐队、埃里克·克莱普顿、大卫·吉尔摩等人用于吉他。在20世纪90年代，备受尊敬的乐器放大器、机柜和效果盒制造商Hughes&Kettner创造了Tube Rotosphere踏板，这是Leslie扬声器系统的极其精确的模拟再现。

主要特点
原始休斯和凯特纳管旋转球体的精确复制品
先进的管饱和仿真，可实现丰富、温暖的谐波
低频（LF）和高频（HF）转子转速的独立控制
转子速度以赫兹为单位可调，或与DAW节奏同步
锁定功能，在保持管颜色的同时停止转子旋转
吉他和键盘乐器的输入模式，可实现最佳的声音处理
全立体声处理，可创造宽广、身临其境的旋转效果
简单直观的界面，实时视觉反馈
兼容所有主要DAW和插件格式

Nembrini Audio is pleased to launch the Hughes & Kettner Tube Rotosphere plugin, an authentic digital emulation of the acclaimed Hughes & Kettner Tube Rotosphere MKII Rotary Speaker* simulator. Listen to it here and see it here. In the 1960’s the Leslie Speaker System*, originally developed in the 1930’s for the Hammond Organ, began to be used for guitars by The Beatles, Eric Clapton, David Gilmour and more. In the 1990’s Hughes & Kettner, a highly respected manufacturer of instrument amplifiers, cabinets and effect boxes, created the Tube Rotosphere pedal, an extremely accurate, analog reproduction of the Leslie Speaker System.

Key Features

An exact replica of the original Hughes & Kettner Tube rotasphere
Advanced tube saturation emulation for rich, warm harmonics
Independent control of the rotation speed of the low-frequency (LF) and high-frequency (HF) rotor
Rotor speed is adjustable in Hertz or synchronized to the DAW tempo
Lock function to stop the rotor rotation while maintaining the tube color
Input modes for guitar and keyboard instruments for optimal sound processing
Full stereo processing for creating wide, immersive rotational effects
Simple, intuitive interface with real-time visual feedback
Compatible with all major DAWs and plugin formats

本站内容均来自网络整理，仅供个人学习、研究或欣赏。严禁商业或盈利性使用。下载后请于24小时内删除。使用时请遵守当地法律，获取版权人授权并支付费用。本站仅为资源信息展示平台（资讯站），不储存资料，不提供安装/使用支持。相关支持信息不代表本站立场。赞助完全自愿，不支持退款，仅为支持本站维护提升体验。非购买资源，如需购买请通过文中信息联系原作者/公司。

THE END