母带效果器Newfangled Audio – Elevate Bundle v1.13.9 for WiN+MAC

Team R2R | 15 November 2024 | 11.4 MB | Team GUISEPPE | 08 April 2025 | 69 MB

Elevate Mastering Bundle 包含 4 款产品，可使您的母带声音更加饱满、生动、高品质。

我们不模拟模拟电子学，而是模拟人类听觉，这使得您的录音比那些忽略人类听觉生理特性的产品更响亮、更丰富、更流畅、失真更小。

ELEVATE 母带处理套件包括

提升

Elevate 是迄今为止最先进的母带处理插件。这款独特的多频段限制器、兼顾人耳听觉特性的均衡器以及强大的声音增强器，能够在提升混音响度的同时，保留甚至改善其动态范围。它采用智能自适应技术，能够实时响应您的音乐，不仅打造响度最高的母带，更带来最高品质的母带效果。

由 Newfangled Audio 开发的 Elevate 能够保留混音中的细微动态，并改善音色平衡。这款自适应限制器可分析 26 个频率范围，并实时调整每个范围的增益、速度和瞬态响应。无论您如何调整，都能获得通透自然的音质。

Elevate 使用 26 个模拟人耳的关键滤波频段。每个频段的间距都经过精心设计，可最大限度地控制声音对耳膜的影响。您可以绘制曲线、突出显示各个频段，并控制每个频段的瞬态响应，从而突出特定乐器，例如底鼓或军鼓。

饱和

Saturate使用一种特殊的细节保留算法，将这些细微的细节重新添加到饱和信号中。信号仍然按照曲线保持饱和状态，但不同频率的正弦波会被独立处理。这意味着高频和低频不会掩盖更精细的频率，输出的音调平衡与输入相同，仅添加了谐波。

圈点

混音工程师使用瞬态整形器来增强或柔化乐器瞬态，强调起音或延音。然而，传统的瞬态整形器同时作用于整个信号，调制整个频率范围，而瞬态只发生在一个频段内。

Punctuate 使用人耳模型，在整个人耳听觉频谱范围内应用一系列瞬态塑形器。这使您可以调整各种乐器、总线和混音的瞬态响应，而无需调整整个频率范围。最终实现前所未有的瞬态塑形能力，精准控制所需频率，避免不必要的干扰。

Equivocate

EQuivocate 的音频滤波器和均衡器选择功能非常适合混音和母带处理。它们功能强大、易于使用，而且音质自然。

EQuivocate 采用模拟人耳的滤波器。26 个关键频段分别作用于内耳的特定部分，确保任何设置组合都能带来尽可能自然的声音。结合用于减少回声的线性相位滤波器，Equivocate 成为一款真正能让您听得清的均衡器。

使用 EQuivocate 的匹配 EQ 功能，可以匹配或补充输入到其侧链的音频信号。您还可以使用此功能将最终主音轨的音色与参考音轨相匹配，或使声音融入复杂的混音中。与其他 EQ 匹配插件不同，Equivocate 提供透明的匹配，不会试图模拟细微的差异，从而避免匹配后的 EQ 听起来不自然。加载您喜爱的歌曲或音轨，即可立即改变其音色。

这26个滤波器分布在整个梅尔频谱范围内，但您可以自定义滤波器及其频率。结合自动电平补偿、均衡曲线生成以及每个关键频段的独立独奏等便捷功能，Equivocate 是一款既强大又精准的工具。

能力

简单而又富有音乐性的 26 线性相位听力滤波器，其形状与你耳朵中的关键带通滤波器类似。

匹配均衡器功能可让您调整一个音轨的音调以匹配另一个音轨。混合两个音轨，使它们听起来像是从同一音源录制的，相互补充以获得更好的分离度，或者创建一个与参考音轨音调相匹配的主音轨！

点击并拖动增益滑块绘制均衡曲线。然后，关闭“曲线绘制”功能进行微调。

• 使用自动按钮可自动补偿均衡器引起的电平变化。
• 将一个或多个频段静音，以便轻松定位问题频率。
• 添加或移除滤波器以自定义声音。
• 包含 Richard Devine、Jeremy Labsy、Alex Saltz 和 Sebastian Aroch 的预设
• 莫顿、理查德·X 和约翰·麦凯格。
• 您可以从预设设置开始，也可以创建自己的设置。使用“比较”按钮可以在两种不同的设置之间切换。

https://bit.ly/3o8kQwZ

The Elevate Mastering Bundle includes 4 products that will make the sound of your masterings more voluminous, vibrant and of high quality.

Instead of simulating analog electronics, we simulate human hearing, allowing us to make your recordings louder, richer, smoother, and less distorted than products that ignore the physiology of our hearing.

The ELEVATE mastering suite includes

Elevate

Elevate is the most advanced mastering plugin ever created. This unique multi-band limiter, an EQ that takes into account the peculiarities of human hearing, and a powerful sound enhancer will increase the loudness of your mix while preserving or improving its dynamic perception. It uses intelligent adaptive technology that reacts to your music in real time, creating not only the loudest but also the highest-quality master.

Developed by Newfangled Audio, Elevate preserves subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency ranges and adjusts the gain, speed, and transients for each range in real time. The result is transparent, natural sound, no matter how hard you push it.

Elevate uses 26 critical filter bands modeled after the human ear. Each band is spaced to provide maximum control over how sound impacts the eardrum. Draw curves, highlight individual bands, and control the transient attack for each band to emphasize specific instruments, such as the kick drum or snare drum.

Saturate

Saturate uses a special detail-preserving algorithm that adds these fine details back into the saturated signal. The signal is still saturated according to the curve, but sine waves of different frequencies are processed independently. This means that high and low frequencies don’t drown out the finer frequencies, and the tonal balance at the output is the same as at the input, with only harmonics added.

Punctuate

Mixing engineers use transient shapers to enhance or soften instrument transients, emphasizing either attack or sustain. However, traditional transient shapers work on the entire signal at once, modulating the entire frequency range, while a transient only occurs in one band.

Punctuate uses a human ear model to apply a set of transient shapers across the entire human hearing spectrum. This allows you to tailor the attack of a wide range of instruments, buses, and mixes without having to manipulate the entire frequency range. The result is unprecedented transient shaping power, targeted where you need it and away from where you don’t.

EQuivocate

EQuivocate’s auditory filters and EQ selection feature are ideal for mixing and mastering. They are incredibly powerful, easy to use, and sound natural.

EQuivocate uses filters modeled after the human ear. Each of the 26 critical bands affects a specific part of your inner ear, ensuring that any combination of settings sounds as natural as possible. Combined with a linear-phase filter that reduces pre-echo, EQuivocate becomes an equalizer whose sound you can truly hear.

Use EQuivocate’s Match EQ feature to match or complement the audio signal coming into its sidechain. You can also use this feature to match the final master track’s tone to the reference track or to fit the sound into a dense mix. Unlike other EQ matching plugins, EQuivocate provides transparent matching without attempting to simulate subtle differences that can make a matched EQ sound unnatural. Load your favorite song or track and instantly transform its sound.

The 26 filters are spread across the Mel spectrum, but you can customize the filters and their frequencies. Combined with convenient features like automatic level compensation, EQ curve generation, and separate solos for each critical band, EQuivocate is a tool as powerful as it is precise.

Capabilities

Simple yet musical 26 linear phase hearing filters are shaped like the critical bandpass filters in your ear.

The Match EQ feature lets you adjust the tone of one track to match another. Blend two tracks to make them sound like they were recorded from the same source, complement each other for better separation, or create a master track that matches the reference track’s tone!

Click and drag the gain slider to draw the EQ curve. Then, turn off “Curve Drawing” to make fine adjustments.

• Use the Auto button to automatically compensate for level changes caused by the equalizer.
• Mute one or more bands to easily locate problem frequencies.
• Add or remove filters to customize the sound.
• Includes presets from Richard Devine, Jeremy Labsy, Alex Saltz, Sebastian Aroch
• Morton, Richard X, and John McCaig.
• Start with preset settings or create your own. Use the “Compare” button to switch between two unique settings.