声音运动控制引擎 Slate and Ash Choreographs v1.1.0 [KONTAKT]

P2P | 19 December 2025 | 20.45 GB

声音运动控制引擎是一套灵活开放的信号、脉冲与音型互联系统，其核心创作理念在于通过动态音序设计声音。它宛如一幅永恒律动的声景图谱，各类动态音色在空间、形态与时间维度中交织跃动。

创作音型设计

声音运动控制引擎的信号链路中，分布着超过 150 个可独立调制的参数控件，让 “动态律动” 成为其核心灵魂。三台采样振荡器接入由独特音乐设备构建的精密架构，使它既能作为一台复音合成器使用，又可拓展为鼓机、拖拽式采样器或颗粒处理器。你可以从丰富的调制器类型中任选其一，为声音的几乎任一维度注入动态 —— 包括复杂低频振荡器、MIDI 控制变更信号、随机波动信号以及功能强大的步进调制器。

时空之声塑形

如同编舞艺术，一套合成系统亦是动态的图谱、声部联动的蓝图。声音运动控制引擎正是对这一理念的深度探索：在这台乐器中，动态律动可自主生发独特的声音表达。正如编舞师为舞者规划动作轨迹，该引擎为声音的 “演绎” 预设了各项参数。它实现了作曲与演奏的完美融合 —— 一半源于即兴生发，一半来自精密设计。

声波合集

声音运动控制引擎内置海量采样素材，均由专业团队录制，涵盖模拟合成器、数字合成器、模块化合成器、鼓机、原声乐器及各类噪音源。427 种采样源包罗万象：既有经典模拟合成器的温暖质感，也有模块化振荡器的清脆拨音与脉冲音效；既有物理建模音色的铃铛般灵动颤音，也有编曲键盘式的原声采样融合音色。此外，音色库中还包含一组特色噪音层 —— 噼啪的静电声、嗡鸣的放大器电流声、布料摩挲声、薄膜刮擦声、悠远鸟鸣声等，将这些噪音层迭加到常规合成音色中，可打造出朦胧斑驳、满是复古质感的独特声场。

声音星群

声音运动控制引擎的预设库包含661 个音色预设，且每个预设都能在引擎内被深度拆解、重构。音色风格覆盖极广：从层层缠绕、不断涌动的琶音，到浸润在混响中的厚重持续低音；从震颤扭曲的深邃贝斯音涡，到由锐利打击乐交织而成的精准节奏；从充满张力的电影感音色动机，到饱含动能、循环往复的脉冲音型；更有突破传统四小节框架束缚、可自由变幻的棱角分明复合节奏。

和声结构设计

声音运动控制引擎的核心功能之一，是对音高的复杂调制能力。与模块化合成器的逻辑一致，单个声部的音高可与包络触发相分离。这一设计彻底革新了和声音序的创作方式 —— 音高参数能够持续、即时地更新，让你可以设计出精密复杂的音序、低频振荡器驱动的旋律，以及极具特色的碎片化复合节奏。所有音高信号最终都会接入音阶量化器，该功能可智能修正音高，将无序的声音混沌转化为和谐的和声体系。

时间循环音序

声音运动控制引擎内置的欧几里得音序器，可基于几何分割与数学对称原理生成抽象音序。四条独立的环形触发音轨相互交织，塑造出带有独特韵律引力的迭加复合节奏。每条音轨都拥有独立的运行轨迹，可生成不断演进的和声进行、相位对位旋律，以及富有棱角的打击乐声部结构。

定制与创作

声音运动控制引擎兼具合成器与采样器的双重属性。加载采样的操作极为简便：只需将采样文件拖拽至三个声部插槽中的任意一个即可。采样加载完成后，你可以通过丰富的声部塑形参数，对采样进行切片、重组等处理。除了从零开始创作，你还可以将自定义采样直接拖拽到600 余个预设音色中的任意一个，一键生成极具新意的声音。此外，你还能将自定义脉冲响应文件拖拽至卷积混响效果插槽，从而营造出无穷无尽的空间混响质感。

技术规格

• 兼容 Kontakt 或 Kontakt v7.10.9 及以上版本
• 硬件要求：英特尔芯片苹果电脑（i5 及以上）——macOS 10.15、11 或 12（最新版本）；苹果自研芯片电脑 ——macOS 11 或 12（最新版本）；Windows 10 或 11 系统，英特尔酷睿 i5 或同等性能处理器
• 下载包大小：22GB
• 采样总数：8387 个
• 引擎预设数量：661 个
• 采样源数量：427 个
• 精选引擎状态预设：122 个

A malleable, open system of interconnecting signals, pulses, and patterns, CHOREOGRAPHS explores the principle of designing sound through sequences of movement. It is a map of perpetual animation, where dynamic forms dance in space, shape, and time.

PATTERNS OF CREATION
With over 150 individually modulatable controls scattered throughout its signal path, CHOREOGRAPHS has movement at its beating heart. Three sample-based oscillators feed into a refined architecture of unique musical devices to form a sound design environment that begins as a polyphonic synthesiser, but augments into a drum machine, drag-and-drop sampler, or granular processor. Movement is injected almost anywhere by selecting from a broad range of modulators including complex LFOs, MIDI CC, fluctuating random signals, and highly versatile step-modulators.

BODIES IN TIME AND SPACE
Like a choreography, a synthesis system is a map of motion, a blueprint of moving parts. CHOREOGRAPHS is an exploration of this idea; an instrument where movement finds its own sonic expression. As the choreographer plots out the movements to be performed, CHOREOGRAPHS sets the parameters for the performance to emerge. It is the meeting of the composition and the performance: half-spontaneous, half-designed.

AN ASSEMBLY OF WAVES
CHOREOGRAPHS is comprised of a large collection of expertly sampled analogue, digital, and modular synthesisers, drum machines, acoustic instruments, and noise sources. Over 400 sample sources cover everything from the warmth of prized analogue classics to the plucks and bursts of modular oscillators; the bell-like twinkles of physically modelled materials to the rompler-like blend of acoustic samples. Included also is a bank of characteristic noise layers – crackling static, buzzing amplifiers, fumbled cloth, scraped membranes, distant bird calls – that layer together to break down generic synth sounds into half-erased, dusty textures.

SONIC CONSTELLATIONS
The CHOREOGRAPHS preset library contains over 650 patches, each of which can be picked apart within the engine. Anything from churning, tangled arpeggios to heavy drones dripping in reverb; buckling swirls of deep bass to cross stitched rhythms of sharp percussion; beastly, cinematic gestures to circular pulses full of kinetic repetition; and angular polyrhythms that twist and turn at will, untethered from the traditional four-bar grid.

HARMONIC GEOMETRY
Central to CHOREOGRAPHS is the ability to complexly modulate pitch. As in modular synthesis, the pitch of a voice can be detached from the triggering of its envelope. This blows wide open a whole new methodology of harmonic sequencing – pitches are continuously and instantaneously updated, allowing for intricately plotted sequences, LFO driven melodies, and uniquely fragmented polyrhythms. Everything feeds into a scale quantiser, intelligently pulling pitches into line, turning chaos into harmony.

CIRCLES IN TIME
The Euclidean sequencer in CHOREOGRAPHS spawns abstract sequences based on geometric divisions and mathematical symmetry. Four lanes of rotating circular triggers play against each other, carving out overlapping polyrhythms with a unique gravitational pull. Each lane sits in its own orbit, creating evolving harmonic progressions, phasing counterpoints, and angular percussive structures.

CURATE + CREATE
CHOREOGRAPHS is as much a sampler as it is a synthesiser. Samples are loaded into the engine by simply dropping them into any of the three voice slots. Once loaded, a myriad of voice shaping parameters can chop them into shape. As well as starting from scratch, dragging a custom sample into any of the 600+ preset patches is an instantaneous way to get something novel out of it. Custom impulse responses can also be loaded by dragging them onto the convolution effect slot, allowing for an infinity of spaces.

TECHNICAL DETAILS

• + Kontakt or Kontakt v7.10.9 or higher!
• + Intel Macs (i5 or higher): macOS 10.15, 11 or 12 (latest update); Apple Silicon Macs: macOS 11 or 12 (latest update); Windows 10 or 11, Intel Core i5 or equivalent CPU
• + 22GB download
• + 8,387 samples
• + 661 engine preset patches
• + 427 sample sources
• + 122 curated engine states