调音台风格的通道条Lemur Audio SAMUEL v1.0.19 [WiN]

Team R2R | 11 October 2026 | 52.35 MB

SAMUEL 是一款调音台风格的通道条，具备前置放大器饱和度、噪声门、反馈压缩器和四段均衡器，且延迟为零。SAMUEL的

四段均衡器
位于显示屏旁边，低频 (LF) 和中低频 (LMF) 均衡器频段由
两个搁架式均衡器和两个钟形均衡器组成，始终处于信号路径中：在中心设置下，每个频段不做任何增益，因此无需手动切换频段。低频搁架式均衡器的频率范围为 30 至 450 Hz，高频 (HF) 均衡器的频率范围为 1.5 至 16 kHz；中低频 (LMF) 均衡器的频率范围为 200 Hz 至 2.5 kHz，中高频 (HMF) 均衡器的频率范围为 600 Hz 至 7 kHz，每个频段都有自己的 Q 值，范围从 0.5 到 3。两个范围按钮用于调节钟形均衡器的频率——÷3 将中低频 (LMF) 下移至中低频 (Los Mid-Med)，×3 将中高频 (HMF) 提升至约 21 kHz——每个增益的调节范围为 ±17 dB。各频段对增益和 Q 值的响应方式与调音台通道相同，低音和空气感得以保持其深度。 SAMUEL 的

高通和低通滤波器
旋钮带有 LED 指示灯。高通滤波器的
频率范围为 20 至 350 Hz，低通滤波器的频率范围为 12 kHz 至 3 kHz。当旋钮处于“OFF”位置时，滤波器将完全从信号路径中移除；每个旋钮下方的 LED 指示灯会显示滤波器的状态。“EQ ON”开关会关闭整个均衡器（包括滤波器），以便快速进行前后对比。前置

放大器饱和度 – MIC 和 LINE。
“SATURATION”驱动旋钮带有“ON”和“LINE”开关
。前置放大器位于信号条的前端。“LINE”模式保持高频的干净，并将温暖感融入低频；“MIC”模式则提供更宽广、更明亮的音色。驱动范围为 -12 至 +24 dB，并且该放大器会将相同的电平输出，因此调高驱动值会改变音色，而不是音量——低于 0 dB 时比单位增益更干净，高于 0 dB 时谐波会增加。整个舞台都采用过采样，因此谐波不会重叠到可听范围内。

门限器的工作方式类似于调音台的门限器
SAMUEL 的门限部分——阈值、范围、释放时间和 HYST
阈值（-30 到 +10）、范围（0 到 40 dB 衰减）、释放时间（0.1 到 4 秒）以及用于控制启动速度的 FAST 开关。HYST 设置门限器在低于开启点多少时再次关闭，这样衰减的嗵鼓或响亮的军鼓就不会在阈值处产生杂音。左侧的 LED 指示灯显示门限器的衰减量。

SAMUEL is a console-style channel strip with preamp saturation, gate, feedback compressor and four-band EQ, at zero latency.

A four-band console equalizer
SAMUEL’s LF and LMF equalizer bands beside the display
Two shelves and two bells, every one always in the signal path: at its centre setting a band adds exactly nothing, so there is no need to switch bands on and off. LF shelves from 30 to 450 Hz and HF from 1.5 to 16 kHz; LMF covers 200 Hz to 2.5 kHz and HMF 600 Hz to 7 kHz, each with its own Q from 0.5 to 3. Two range buttons move the bells – ÷3 takes LMF down into the low mids, ×3 lifts HMF up to about 21 kHz – and every gain runs ±17 dB. The bands answer gain and Q the way a console channel does, and the bass and the air keep their depth.

High- and low-pass filters
SAMUEL’s high- and low-pass filter knobs with their LEDs
The high-pass runs from 20 to 350 Hz and the low-pass from 12 kHz down to 3 kHz. Parked at OFF, a filter drops out of the path entirely; the small LED under each knob tells you it is in. The EQ ON switch takes the whole equalizer out, filters included, for a quick before and after.

Preamp saturation – MIC and LINE
The SATURATION drive knob with its ON and LINE switches
A preamp stage at the head of the strip. LINE keeps the top end clean and puts its warmth in the lows; MIC is the broader, brighter voicing. Drive runs from −12 to +24 dB, and the stage hands the same level back out, so turning it up changes the colour, not the volume – below 0 it is cleaner than unity, above it the harmonics grow. The whole stage runs oversampled, so the harmonics do not fold back into the audible range.

A gate that behaves like a console gate
SAMUEL’s gate section – threshold, range, release and HYST
THRESHOLD from −30 to +10, RANGE from 0 to 40 dB of attenuation, RELEASE from 0.1 to 4 s and a FAST switch for the attack. HYST sets how far below the opening point the gate closes again, so a decaying tom or a ringing snare does not chatter on the threshold. The left column of LEDs shows how much the gate is taking away.

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