Wave Arts – Wave Arts Power Suite 7.01 for MAC

• 下载 Wave Arts – Wave Arts Power Suite 7.01 VST3, AU x64 [MacOS] [2025年8月22日]
• 原出版商：Wave Arts
• 版本：7.01
• 格式：VST3、AU
• 类别：VST插件
• 系统要求：macOS 10.13 或更高版本
• 许可证类型：完整版
• 下载大小：255.3 MB

TrackPlug 7 是一款理想的音频处理软件，适合专业人士和音频爱好者使用。它内置了多种实用工具，包括噪声门、压缩器、10 段均衡器、瞬态整形器、电子管饱和器和峰值限制器。大多数模块都提供丰富的可视化反馈，方便用户精确监控和调整设置。

TrackPlug 7 凭借直观易用的界面和强大的音频控制工具，简化了复杂的音频录制任务。其主要功能包括门限工具，用户可以通过交互式地调整阈值和比率来有效抑制背景噪音。 

该压缩器提供最佳动态控制，具备灵活的侧链模式和内置侧链均衡器，以及实时增益衰减可视化功能，从而提高压缩精度。频率调节方面，TrackPlug 7 包含一个全面的 10 段均衡器，配备参数滤波器、搁架式滤波器、模拟搁架式滤波器和陷波滤波器，以及可变斜率砖墙式低通和高通滤波器。 

均衡器模块提供实时频谱显示、立体声和中频处理，以及用于精细调节的高级视图模式。其先进的均衡器匹配功能可自动完成通常较为复杂的音轨间均衡器匹配过程。 

瞬态处理器非常适合塑造起音和延音元素，让您轻松打造清晰、动态的打击乐，并突出混音中的瞬态细节。TrackPlug 7 的电子管饱和器为数字音频增添了模拟温暖感和丰富的谐波，营造出经典自然的音色，赋予声音独特的个性。 

该插件提供可自定义的路由灵活性，允许用户重新排列模块以适应其特定的音频录制需求，以及支持 K 表系统的高级计量功能。

MasterVerb

Wave Arts MasterVerb 7 是一款功能强大的混响插件，旨在打造纯净无瑕的空间音效。它拥有两种截然不同的算法——大厅混响和板式混响——让您能够重现从私密房间到宽敞音乐厅等各种声学环境，并提供饱满的板式混响，其衰减丝滑流畅，且无任何失真。 

MasterVerb 拥有独立的早期反射和后期混响控制，包括大小和衰减时间调节，以及两个三段均衡器，在塑造混响特性方面提供了极大的灵活性。直观的图形界面，包括 3D 频率响应图，简化了参数的可视化和微调。 

它包含一个用于增强前景声音的音量控制、一个用于创建门控和反向混响效果的包络处理器以及同步延迟时间。

FinalPlug

FinalPlug 将预设峰值限制器与 ITU BS.1770 响度计量相结合，使其成为音频母带处理的理想插件。它可以作为插入效果器使用，提供增益限制或响度最大化。此外，FinalPlug 可以安装在母带处理链的末端，确保您的音频满足响度要求并提供最佳性能，使其成为达到专业音频标准的必备组件。

FinalPlug 的界面极其简单。当用作音量控制时，选择所需的最大输出电平，例如 -0.1 dB，然后调整阈值。降低阈值即可增大音量。

为了符合响度和真实峰值播放标准，请选择“分析”预设，然后选择目标播放规格。这将调整内置响度和真实峰值播放级别。之后，播放您的工程文件。播放过程中会显示内置响度和真实峰值级别，如果超过指定级别，则会以橙色显示。 

播放结束后，点击“匹配”。这将调整限幅器设置以匹配指定的参数。重新播放该会话，即可在不超过实际峰值电平的情况下达到所需的内置响度级别。现在您可以导出符合要求的音频。

多动力学

MultiDynamics 是一款功能强大的多频段动态插件，可为母带处理、音轨处理、声音设计和降噪提供卓越的性能。MultiDynamics 的六个频段均可单独配置为压缩或扩展/门限，从而实现对音频的精准控制。无论您是想提升单个音轨的清晰度，还是在母带处理过程中获得完美无瑕的专业音质，MultiDynamics 都是音频工程师工具箱中不可或缺的利器。

多频段动态处理结合了均衡和动态处理技术，但比静态均衡器或单频段动态处理器功能更强大。以下是多频段动态处理的一些应用场景：

频率相关动力学

多频段动态处理的一个简单应用是对特定频率范围进行压缩或扩展。例如，你可能想在混音中压缩人声，而不影响低频（贝斯、鼓）或高频（军鼓、镲片）。这可以通过创建一个覆盖人声频率范围的中频频段并将其设置为压缩轻松实现。

水平相关的情商

你也可以把多频段动态处理理解为一种取决于输入电平的均衡器。例如，你可能想让踩镲的声音更明亮，但只在鼓声较轻时才这样做。这可以通过调整高频频段来实现，当输入电压低于阈值时，高频频段会增加增益。这比使用内置均衡器更有效，因为内置均衡器会在所有电平下都均匀地改变音色平衡。

降噪

MultiDynamics 的另一项强大应用是降噪。它通过多个门控范围来实现降噪，这些范围的阈值设置在略高于环境噪声水平的位置。MultiDynamics 具有出色的降噪性能，并且不会像基于 FFT 的降噪系统那样产生常见的伪影。

规避

利用 MultiDynamics 技术，您可以将音乐隐藏在旁白之后，从而使前景对话在与背景音乐混合时仍然清晰可辨。通过多频段处理器，音乐仅在对话能量所在的频率范围内播放，从而产生更通透的效果。

MultiDynamics 7 的一些新增功能简介：

• 界面已全面更新，采用深色主题。
• 现在支持更强大的侧链功能。每个动态范围都可以通过输入信号或外部侧链输入进行控制。您还可以指定全带宽或带通滤波信号，或者选择由单独的侧链均衡器滤波的输入或外部信号。这样，您就可以根据来自另一个频率范围的信号来控制一个频率范围。
• 新的学习功能会自动将范围阈值设置为检测到的峰值或 RMS 水平。
• 输出处理中增加了一个峰值限制器。
• 增加了输入信号表和输入增益控制。
• 动态增益和输入信号电平的显示范围可由用户选择。
• 新增测量部分，提供峰值、峰值和均方根、均方根和 K 系统测量选项。
• 实时频谱显示，并提供多种选项。

全景

Panorama 是一款先进的虚拟声学模块，可提供极其逼真的声音体验，适用于耳机和扬声器。它采用基于 HRTF 的双耳合成和声学环境建模技术，能够精确地再现 3D 声音在物理空间中的传播。

全景摄影有很多潜在应用，包括：

• 创建 3D 音效。在混音的每个音轨中插入声像定位器，并使用它来控制各个声音在虚拟空间中的位置。这种方法在通过耳机混音时效果最佳（例如播客），但同样的原理也适用于扬声器播放。您可以使用音序器调整声源轨迹，或者直接使用自动化功能。
• 立体声声像定位效果。传统的立体声混音器有时需要对音频进行特殊处理。利用 3D 处理技术，Panorama 可以创建一种不同于传统强力声像定位的声像定位效果。
• 立体声“自动旋转”效果。Panorama 可以作为常规立体声混音器使用，并配备强大的音序器，用于自动控制声像。这使您可以创建各种调制声像效果。
• 立体声扩展。全景模式可以处理立体声混音，使声音在通过扬声器播放时更加宽广。
• 虚拟监听。全景模式可用于模拟立体声，并在耳机中重现环绕声。

以下是 Panorama 7 的一些新功能：

• 一项重要的新功能是位置音序器，它可以用来自动控制运动轨迹和节奏同步的音乐效果（自动声像定位）。该音序器的工作原理是让声音沿着预设的轨迹移动。
• 用户界面已完全更新，采用深色主题。
• 平移用户界面区域已扩大，现在可以进行侧面和背面查看。
• 虚拟平移范围已增加。此前，Panorama 6 的范围为 -10 至 +10 英尺，而 Panorama 7 的范围为 -100 至 +100 英尺。
• 缩放控制。
• 支持 SOFA HRIRs 格式。SOFA（空间定向声学格式）是一种用于交换头部相关脉冲响应的标准文件格式。通过名为 Sofa2Pan 的转换应用程序，可以实现对 SOFA 数据的支持，该应用程序可将 SOFA 格式转换为全景格式。
• 改进了对第三方 HRIR 的支持：HRIR 通过文件名进行识别，并在加载时从采样率转换为会话率。
• “近头部模型”已实现。该模型基于球形头部模型，通过添加额外的头部着色，提高了头部附近位置的渲染精度。
• 增加了 HRIR“立体全景”功能，以实现传统的立体全景效果。
• 添加了 HRIR“立体声直通”功能，可将双耳信号正确转换为扬声器信号。

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TrackPlug

Ideal for both professionals and audio enthusiasts, TrackPlug 7 features essential built-in tools, including a noise gate, compressor, 10-band EQ, transient shaping, tube saturator, and peak limiter. Most modules provide extensive visual feedback, allowing users to precisely monitor and adjust settings.

TrackPlug 7 simplifies complex audio recording tasks with an intuitive, user-friendly layout and a powerful set of tools for precise audio control. Key features include a gate tool that allows users to effectively suppress background noise by interactively adjusting the threshold and ratio. 

The compressor provides optimal dynamic control with flexible sidechain modes and a built-in sidechain EQ, as well as real-time gain reduction visualization for increased compression precision. For frequency adjustment, TrackPlug 7 includes a comprehensive 10-band equalizer featuring parametric, shelving, analog shelving, and notch filters, as well as variable-slope brickwall low-pass and high-pass filters. 

The equalizer module offers a real-time spectrum display, stereo and midrange processing, and an advanced view mode for detailed adjustments. A sophisticated EQ matching function automates the often-complicated process of matching EQs between tracks. 

The transient processor is ideal for shaping attack and sustain elements, allowing you to easily create sharp, dynamic percussion and highlight transient details in your mix. Adding additional sonic character, the TrackPlug 7 tube saturator brings analog warmth and harmonic richness to digital audio, creating a classic, natural sound. 

The plugin offers customizable routing flexibility, allowing users to rearrange modules to suit their specific audio recording needs, as well as advanced metering capabilities that support the K-meter system.

MasterVerb

Wave Arts MasterVerb 7 is a powerful reverb plugin designed to create pristine sounding spaces. It features two distinct algorithms—Hall and Plate—that allow you to recreate a wide range of acoustic environments, from intimate rooms to spacious concert halls, and delivers dense plate reverb with silky-smooth decays free of artifacts. 

With independent controls for early reflections and late reverb, including size and decay time adjustments, and two 3-band EQs, MasterVerb offers extensive flexibility in shaping the reverb character. An intuitive graphical interface, including a 3D frequency response graph, simplifies visualization and fine-tuning of parameters. 

It includes a volume control for enhancing foreground sounds, an envelope processor for creating gated and reverse reverb effects, and synchronized delay times.

FinalPlug

FinalPlug combines a preset peak limiter with ITU BS.1770 loudness metering, making it an ideal plugin for audio mastering. It can be used as an insert effect to provide gain limiting or loudness maximization. Furthermore, FinalPlug can be installed at the end of the mastering chain to ensure your audio meets loudness requirements and delivers maximum performance, making it an essential component for achieving professional audio standards.

The FinalPlug interface couldn’t be simpler. When using it as a volume control, select the desired maximum output level, say -0.1 dB, and then adjust the threshold. Decreasing the threshold increases the volume.

To comply with loudness and true peak playback standards, select the “Analysis” preset and then select a target playback specification. This will adjust the built-in loudness and true peak playback levels. Then, play your session. The built-in loudness and true peak levels are displayed during playback and will be colored orange if they exceed the specified levels. 

At the end of playback, click “MATCH.” This adjusts the limiter settings to match the specified parameters. Replaying the session will allow you to achieve the desired built-in loudness level without exceeding the true peak level. You can now export your compliant audio.

MultiDynamics

MultiDynamics is a versatile multiband dynamics plugin that offers powerful capabilities for mastering, track processing, sound design, and noise reduction. Each of MultiDynamics’ six bands can be individually configured for compression or expansion/gating, providing precise control over your audio. Whether you’re looking to enhance the clarity of individual tracks or achieve a flawless, professional sound during mastering, MultiDynamics is a valuable tool in any audio engineer’s arsenal.

Multiband dynamics processing combines equalization and dynamics processing techniques, but is more powerful than a static equalizer or single-band dynamics processor. Below are some possible uses for MultiDynamics:

Frequency-Dependent Dynamics

A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. For example, you might want to compress the vocals in a mix without affecting the low frequencies (bass, drums) or high frequencies (snare, cymbals). This can be easily accomplished by creating a midrange band covering the vocal range and setting it to compression.

Level-dependent EQ

You can also think of multi-band dynamics as providing an EQ that depends on the input level. For example, you might want to make the hi-hat sound brighter, but only when the drums are soft. This can be achieved by adjusting the high-frequency band, which increases the gain when the input voltage is below the threshold. This is more effective than using the built-in EQ, which changes the tonal balance equally at all levels.

Noise reduction

Another powerful application of MultiDynamics is noise reduction. This is achieved using multiple gating ranges, the thresholds of which are set just above the ambient noise level. MultiDynamics performs excellent noise reduction and does not suffer from the artifacts typical of FFT-based noise reduction systems.

Evasion

Using MultiDynamics, you can mask music behind narration so that foreground dialogue remains intelligible when mixed with background music. Using a multiband processor, music is played only in the frequency ranges where dialogue energy is present, resulting in a more transparent effect

A little about what’s new in MultiDynamics 7:

• The interface has been completely updated with a dark theme.
• Expanded sidechain support is now available. Each dynamic range can be controlled using the input signal or an external sidechain input. You can also specify a full-bandwidth or band-pass-filtered signal, or select an input or external signal filtered by a separate sidechain EQ. This allows you to control one frequency range based on a signal from another frequency range.
• The new learning feature automatically sets range thresholds to detected peak or RMS levels.
• A peak limiter has been added to the output processing.
• Added input signal meters and input gain control.
• The display ranges for dynamic gain and input signal levels are user selectable.
• New measurement section with options for peak, peak and RMS, RMS and K-system measurements.
• Real-time spectrum display with many options.

Panorama

Panorama is an advanced virtual acoustics module that delivers exceptionally realistic sound experiences, suitable for both headphones and speakers. Using HRTF-based binaural synthesis and acoustic environment modeling technology, Panorama accurately reproduces the propagation of 3D sound in physical spaces.

Panorama has many possible applications, including:

• Create 3D sound. Insert a panner into each track of your mix and use it to pan individual sounds in virtual space. This works best when mixing through headphones (think podcasting), but the same concept can be used for speaker playback. You can use a sequencer to adjust the source trajectories or simply automate them.
• Stereophonic panning effects. Conventional stereo mixers sometimes require special processing of the audio. Using 3D processing, Panorama can be used to create a panning effect that differs from the typical powerful panning.
• Stereo “auto-rotate” effects. Panorama can function as a regular stereo mixer and is equipped with a powerful sequencer for automating panning. This allows you to create all sorts of modulating panning effects.
• Stereo Widening. Panorama can process stereo mixing to produce a very wide sound when played through speakers.
• Virtual monitoring. Panorama can be used to simulate stereo sound and reproduce surround sound in headphones.

Here are some of the new features in Panorama 7:

• An important new feature is the position sequencer, which can be used to automate movement trajectories and rhythm-synchronized musical effects (auto-panning). The sequencer works by moving the sound along a preset trajectory.
• The user interface has been completely updated using a dark theme.
• The panning UI area has been enlarged, now allowing for side and rear viewing.
• The virtual panning range has been increased. Previously, Panorama 6 allowed a range of -10 to +10 feet, while Panorama 7 allowed a range of -100 to +100 feet.
• Zoom in/out control.
• Support for the SOFA HRIRs format. SOFA (Spatially Oriented Format for Acoustics) is a standard file format used for exchanging head-related impulse responses. Support for SOFA data is provided using a conversion application called Sofa2Pan, which converts the SOFA format to a panoramic format.
• Improved support for third-party HRIRs: HRIRs are identified by filename and converted from sample rate to session rate on loading.
• The “Near Head Model” has been implemented. This improves the accuracy of rendering positions close to the head by using additional head shading based on a spherical head model.
• Added HRIR “Stereo panorama” function to implement traditional stereo panorama.
• Added HRIR “Stereo Passthru” to properly convert binaural signal to loudspeaker.