混音和母带处理的五段均衡器Remanence Audio Iron Glass v1.1.6 [MacOSX]

GUISEPPE | 26 July 2026 | 51 MB

IRON GLASS_ 是一款用于混音和母带处理的五段均衡器。它并非逐段处理，而是五个频段同时作用于同一信号，并像经典的被动式硬件一样相互融合，从而实现普通均衡器无法实现的交互和声音塑造。信号随后会经过一个模拟的电子管和变压器电路，该电路的响应方式与真实的模拟元件类似，能够为您的素材增添厚重感和色彩。01 五段并联 五个频段并联通过一个模拟电路的电感网络，如同经典的被动式硬件一样，因此它们之间会相互作用：在接近相同频率的频段进行

提升
和
衰减，可以塑造出普通均衡器无法实现的声音。而且，这里的响应并非固定不变。同样的操作会根据驱动力度而有所不同：推动电感器，中心频率会升高，而 Q 值会略微降低，就像真实的模拟电路一样。中心频率固定为 100 Hz、300 Hz、1 kHz、4 kHz 和 10 kHz，您也可以使用“扫描”功能将其放置在任意位置。

02
宽频或精准调节
每个频段都有五种宽度设置，从宽广柔和的曲线到紧凑集中的曲线。只需一个抽头即可选择。增益和衰减范围为±5 dB，用于精细调整；或±15 dB，用于需要真正修正的问题。四个外侧频段可以是搁架式或峰值式；1 kHz 始终保持峰值式。03

电子管
和变压器特性
电子管采用玻璃管，变压器采用铁芯，两者都作为真正的电路设计，而不是最后添加的固定效果。音色和音调变化的是电子管和铁芯本身的特性，而不是它们的驱动强度。铁芯的行为也像真正的铁芯一样：它会记住刚刚饱和的状态，并在瞬态信号过后瞬间稳定下来。这种稳定状态，也就是信号过后留下的痕迹，就是“剩磁”名称的由来。04滤波器和匹配的

A
/B 滤波器
高通和低通滤波器也作为真正的电感器设计，而不是简单地附加到电路上，因此它们能够根据电路的其余部分调整低频和高频；将任一选项设置为“OFF”即可旁路。输入和输出分别提供±18 dB的调节范围，用于控制电路的驱动强度。将它们联动，即可在不引起音量突变的情况下加大驱动强度，从​​而确保A/B对比结果的准确性。设置了A和B两个设置槽，并支持一键复制功能。

IRON GLASS_ is a five-band EQ for mixing and mastering. Instead of running its bands one after another, all five work on the same signal at once and blend back together, the way classic passive hardware did, so they interact and shape sound in ways an ordinary EQ can’t. The signal then passes through a modeled tube-and-transformer stage that reacts like real analog parts, adding weight and color that follows your material.

01
Five bands, in parallel
Five bands run in parallel through a circuit-modeled inductor network, the way classic passive hardware did, so they interact: boosting and cutting near the same frequency shapes sound an ordinary EQ can’t. And nothing here is a fixed response. The same move behaves differently depending on how hard you drive it: push the inductors and the center frequency rises while the Q loosens slightly, just like the real thing. Fixed centers at 100 Hz, 300 Hz, 1 kHz, 4 kHz and 10 kHz, or SWEEP to place them anywhere.

02
Broad or surgical
Each band has five width settings, from a broad, gentle curve to a tight, focused one. One tap to choose. Boosts and cuts go up to ±5 dB for fine work, or ±15 dB when something needs real fixing. The four outer bands can be a shelf or a peak; 1 kHz stays a peak.

03
Tube & transformer character
Glass for the tubes, iron for the transformers, both solved as real circuits rather than a fixed effect painted on at the end. Color and voicing change the character of the tubes and the iron themselves, not how hard they’re driven. And the iron behaves like real iron: it remembers how it just saturated and settles in the moments after a transient. That settling, the trace left behind after the signal passes, is where the name Remanence comes from.

04
Filters & matched A/B
The high-pass and low-pass are solved as real inductors too, not utility filters bolted on, so they shape the bottom and top in keeping with the rest of the circuit; set either to OFF to bypass. INPUT and OUTPUT give you ±18 dB each to set how hard you drive the circuit, and linking them lets you push harder without the volume jumping, so your A/B stays honest. Two setting slots, A and B, with one-click copy between them.

https://remanenceaudio.com/products