神经 DSP – 原型：Petrucci X v1.0.0 for WiN

通常，在最重要的事情上，你越想说，就越觉得无需多言。伟大是不言而喻的。

这句话用在约翰·佩特鲁奇身上再贴切不过了。几十年来，他一直走在前卫音乐和吉他音乐的前沿，重新定义了现代吉他手的标准。

他近乎超凡的技艺和无可挑剔的品味，创作出世界上一些最崇高的音乐，激励了几代音乐家突破我们认为可能的界限。

将约翰非凡的职业生涯浓缩成一款完美的软件工具，以满足像他这样要求苛刻的人的需求，是我们团队所面临的最艰巨的挑战之一。

我们无比自豪地向您介绍原型：Petrucci X。

哇音和压缩机

这款效果器配备了完美重现约翰标志性哇音效果的哇音踏板。压缩器则提供了出色的动态控制，可以调节信号以适应放大器部分。

预效果

过载、相位/颤音、合唱和镶边效果器可以进一步增强您的声音。

四款设计精良、性能卓越的放大器，旨在完美呈现约翰音色的每一个细微差别：

• 压电式：这款放大器专为压电拾音器设计，能够模拟原声吉他琴体的自然共鸣。它与单线圈拾音器搭配使用也表现出色。
• 清澈：音色饱满而富有层次感，带有明亮开关，可增加清晰度和辨识度。
• 节奏：震撼人心且功能极其多样。“紧致”旋钮、“咬合”开关和“低音”旋钮均与放大器的增益结构相互作用，可精确调节出理想的冲击力或咆哮感。
• Lead：令人难以置信的延音和深沉的谐波结构，将你的主音音色带到另一个星球——而放大器的外观就像一艘宇宙飞船。

Cabsim + IR 加载器

这款功能全面的音箱模拟模块由DTHQ的Jimmy T制作，内置脉冲响应（IR）。它配备六个虚拟麦克风，可以轻松放置在扬声器周围。除了内置的脉冲响应外，该模块还可以加载您自己的脉冲响应。

房间麦克风

箱体模拟模块中的房间控制功能可引入微妙的房间混响效果，为您的声音增添自然深度。

情商

内置的四段半参数均衡器，现在配备了高通和低通滤波器，可以完全控制频率响应。Clean、Rhythm 和 Lead 三种音箱模式分别对应一个均衡器。

后期效果

• 三台机架式后处理效果器，可制作您所有喜爱的甜美、梦幻般的声音。
• 立体声合唱，具有复古和空间模式，可实现您能想象到的各种旋转声音。
• 立体声延迟效果器，采用交叉馈送技术产生不可预测的尾音，采用晶体技术产生梦幻般的闪烁效果，并采用磁带饱和技术产生温暖的谐波失真效果。
• 混响：黑暗、不祥的混响，带着一丝天籁般的闪烁。

移调和加倍

• 移调：将吉他的音高按固定的音程（+12/-12个半音）升高或降低。使用此功能可以轻松改变乐器的音调。
• 双轨器：将信号投射到模拟立体声场中，使您获得双轨录音的效果。

Often, when it comes to the most important things, the more you want to say, the less it seems necessary to say anything. Greatness is self-evident.

This could not be more true for John Petrucci. Being at the forefront of progressive and guitar music for decades, he has redefined what is expected of a modern guitarist.

His borderline supernatural skill and impeccable taste for writing some of the world’s most sublime music has inspired several generations of musicians to push the boundaries of what we thought possible.

Distilling what has been a remarkable career into the perfect software tool for someone as demanding as John was one of the most formidable challenges we have ever faced as a team.

It is with immense pride that we present you Archetype: Petrucci X.

Wah & Compressor

Featuring a wah model that perfectly recreates John’s iconic wah tone. The compressor provides incredible dynamic control to condition your signal for the amplifier section.

Pre Effects

Overdrive, Phaser/Vibe, Chorus, and Flanger offer further augmentation of your sound.

Four incredible amplifiers rigorously designed to deliver every nuance of John’s tone:

• Piezo: Designed for piezo pickups, this amp emulates the natural resonance of an acoustic guitar body. It performs excellently with single-coil pickups as well.
• Clean: Sonorous and rich, featuring a bright switch that adds clarity and definition.
• Rhythm: Thunderous and insanely versatile. The tight knob, bite switch, and bass knob all interact with the amplifier’s gain structure to dial in the perfect amount of attack or growl.
• Lead: Unbelievable sustain and deep harmonic structure take your lead tone to another planet – in an amplifier that looks like a spaceship.

Cabsim + IR Loader

A comprehensive cabsim module with IRs made by Jimmy T at DTHQ. Featuring six virtual microphones that can be easily positioned around the speakers. In addition to the included IRs, this module can be used to load your own impulse responses.

Room Mics

The Room controls in the cabsim module introduce a subtle room reverb effect, adding natural depth to your sound.

EQ

The onboard 4-band semi-parametric equalizer, now featuring high and low-pass filters, allows for complete control over frequency response. There’s one each for the Clean, Rhythm, and Lead amps.

Post Effects

• Three rack-mounted post-effects units for all your favorite luscious, dreamy sounds.
• Stereo Chorus With vintage and spatial modes for every swirly sound you could ever imagine.
• Stereo Delay Featuring cross feed for unpredictable trails, crystal for elysian sparkles, and tape saturation for warm harmonic distortion.
• Reverb Dark, foreboding reverb with a celestial shimmer.

Transpose & Doubler

• Transpose: Pitch your guitar up or down by a constant interval (+12/-12 semitones). Use this to easily change the tuning of your instrument.
• Doubler: Project your signal to a simulated stereo field giving you the sound of a double-tracked recording.