经典电子管磁带机Tim P 37J Tape [Nebula]

P2P | 17 March 2026 | 43 MB

经典电子管磁带机，
4 种采样率，
4 个通道，采样率设置为 15ips，
特殊的饱和/压缩预设，带有预加重通道实例和去加重饱和效果，
2 个 n3 JPN 皮肤，
声 wav 文件
。2017 年 10 月 25 日新增：强劲的去加重饱和效果。通道实例

正在使用中。4个通道可供选择，您可以获得细微的音色差异。观察下面的频率图，我们可以看到每个通道在低频部分都有独特的磁头间隙染色，产生一种波纹，这是磁带机的常见特征。从最下面的图（通道 1）到最上面的图（通道 4），我们可以看到两个外侧通道在 19kHz 左右上升，而中间两个通道从 14kHz 左右开始滚降。当然，这种差异很细微，但是叠加实例会显示出明显的染色。由于这是一台 4 轨磁带机，轨道合并可能很常见，从而导致声音染色更加明显。尝试叠加多个实例是值得的。总体而言，这会显著改变低音特性并柔化中高频。c37音频精度读数来自 Rawstate 音频文档。时间动态：如下所示，连接到 LFO 的响应也略有动态变化。这种动态变化与动态无关。饱和度预加重/去加重：这些预设旨在获得微妙的推移音效，从而柔化高频，并获得压缩和饱和的声音。小心操作，我们可以通过增加输入（VU 表开始进入红色区域）来获得一些粘合感。如果需要失真音效，请进一步增加输入，直到达到预期效果。我将其保持在较为微妙的程度，以尽可能避免混叠。使用方法：加载一个预加重通道实例（您会注意到它很明亮），然后加载一个去加重饱和度实例（校正明亮度）。将输入音量增加到所需效果，如果您希望进一步增强饱和度并增强低频，请添加第三个平坦饱和度实例。输入音量使用 Nebula 的 G Drive（音量补偿，输入音量增加时输出音量降低），因此您可能会听到音量随着输入音量的增加而下降，这仅仅是因为预设的压缩量会随着输出音量的降低而增加。注意：Nebula 的 EVF 仅支持单声道，如果要在立体声实例上使用饱和度，则需要在类似 MetaPluqin 的程序中创建左右声道实例。嘶嘶声：没什么好说的，嘶嘶声 .wav 文件是我应用户要求添加的。在额外的音轨中添加嘶嘶声可以赋予其独特的磁带音效。预设可以在 37J&qt; CN（通道实例）和 37J&qt;SAT（饱和度实例）中找到。

Classic Valve Tape Machine
4 sample rates
4 channels sampled set at at 15ips
special saturation/compression presets with Pre-emphasis channel instance and de-emphasis saturation
2 n3 JPN Skins
Hiss wav files
New 25/10/17 added aggressive DE-emphasis saturation

In use

Channels instance

With 4 channels to select from you can get subtle tonal differences. Looking at the frequency plot below we can see each channel has the distinctive Head gap coloration of the low end, producing a ripple, this is a common characteristic in tape machines. Looking at each channel from lowest plot (channel 1) to top plot (channel 4), we can see the two outer channels have a rise up to around 19kHz but the two centre tracks are rolled off from around 14kHz. Of course this is subtle, however stacking instances will reveal a large coloration. As this is a 4 track machine bouncing tracks may have been common, resulting in a far more coloured sound. Multiple stacked instances is something worth experimenting with. On the whole this will dramatically change the bass character and soften the upper mids.

c37 Audio precision reading from Rawstate audio documentation.

Movement in time

Also we have bit of movement to the response shown below, connected to LFO. The movement seen is not related to dynamics.

Saturation Pre/De-emphasis

These presets were designed to get a subtle pushed sound, resulting in a softening of the highs, and getting a compressed and saturated sound. With care, we can get some glue from increasing the input, (vu starting to go into the red). If a distorted sound is desired increase the input further until the desired result is achieved. I’ve kept this on the more subtle side to avoid as much aliasing as possible.

To USE: Load a Pre–emphasis channel instance (you’ll notice this is bright) followed by a de–emphasis saturation Instance (rectifies the brightness). Increase input to desired result, then if you wish to saturate more and saturate the lows, add a flat saturation as a 3rd instance. The input is using nebula’s G drive (volume compensation, output reduces as input is increased), there is a chance you’ll hear the level go down as you increase the input, this is simply because the preset is increasing in compression as the output goes down.

NOTE: Nebulas evf is mono only, in the case of using saturation on a stereo instance we should create Left and Right instances in program like meta plugin.

Hiss

Not much to say here, Hiss .wav’s is something I’ve added as a request. Adding hiss to an extra track can impart that distinctive tape sound.

Presets can be found in 37J> CN (Channel instances) and in 37J>SAT (saturation instances)

https://www.timpetherick.co.uk/downloads/j37/